#TITLE_ALTERNATIVE#
The Question of flatness in painting first emerged as an important term when <br /> <br /> Clement Greenberg wrote his views on works that appeared in America in the <br /> <br /> early twentieth century. Ideological resistance towards the expressive subjectivity <br />...
Saved in:
| Main Author: | |
|---|---|
| Format: | Final Project |
| Language: | Indonesia |
| Online Access: | https://digilib.itb.ac.id/gdl/view/30492 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Institut Teknologi Bandung |
| Language: | Indonesia |
| Summary: | The Question of flatness in painting first emerged as an important term when <br />
<br />
Clement Greenberg wrote his views on works that appeared in America in the <br />
<br />
early twentieth century. Ideological resistance towards the expressive subjectivity <br />
<br />
of Abstract Expressionist painting emerges, a focus on what is most essential in <br />
<br />
painting appears in Post-Painterly Abstraction works. Utilizinf the maximum <br />
<br />
essential elements of painting such as, shape, line, and color field, these painters <br />
<br />
eliminate all the narrative tendencies including the expressive personality of each <br />
<br />
artists, and produce a work that is ‘completely flat’. Through appropriation of <br />
<br />
Frank Stella’s works, trying to present an attempt to break the dogma of canvas <br />
<br />
that is always attached to paintings in general. To Find the most appropriate <br />
<br />
works and methods and, produce work that is able to show the problem of the <br />
<br />
flatness in painting. In the process of creating, a three-dimensional field are made <br />
<br />
to be painted properly. This work tries to reconstruct and explain the meaning of <br />
<br />
flatness as what appears in human perception, no longer merely speaking in terms <br />
<br />
of field and material. |
|---|