#TITLE_ALTERNATIVE#

• Main Author: BAGJA SUTEJA (NIM: 17012008), RIKI
• Format: Final Project
• Language: Indonesia
• Online Access: https://digilib.itb.ac.id/gdl/view/30492
• Institution: Institut Teknologi Bandung

The Question of flatness in painting first emerged as an important term when <br /> <br /> Clement Greenberg wrote his views on works that appeared in America in the <br /> <br /> early twentieth century. Ideological resistance towards the expressive subjectivity <br /> <br /> of Abstract Expressionist painting emerges, a focus on what is most essential in <br /> <br /> painting appears in Post-Painterly Abstraction works. Utilizinf the maximum <br /> <br /> essential elements of painting such as, shape, line, and color field, these painters <br /> <br /> eliminate all the narrative tendencies including the expressive personality of each <br /> <br /> artists, and produce a work that is ‘completely flat’. Through appropriation of <br /> <br /> Frank Stella’s works, trying to present an attempt to break the dogma of canvas <br /> <br /> that is always attached to paintings in general. To Find the most appropriate <br /> <br /> works and methods and, produce work that is able to show the problem of the <br /> <br /> flatness in painting. In the process of creating, a three-dimensional field are made <br /> <br /> to be painted properly. This work tries to reconstruct and explain the meaning of <br /> <br /> flatness as what appears in human perception, no longer merely speaking in terms <br /> <br /> of field and material.