MAIN TEMPLE IN LEMBANG, WEST JAVA
This design project is to redesign the temple area and its buildings in Lembang. This temple is aimed to be the main temple in West Java that has high functionality and capacity to accommodate ± 600 people, 7 buses, 65 cars and 32 motorcycles. Buildings with the main function such as place for mon...
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Format: | Final Project |
Language: | Indonesia |
Subjects: | |
Online Access: | https://digilib.itb.ac.id/gdl/view/40029 |
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Institution: | Institut Teknologi Bandung |
Language: | Indonesia |
Summary: | This design project is to redesign the temple area and its buildings in Lembang. This temple is aimed
to be the main temple in West Java that has high functionality and capacity to accommodate ± 600
people, 7 buses, 65 cars and 32 motorcycles. Buildings with the main function such as place for monks’
ordination ceremony (Uposatthagara), place of worship (Dharmasala), residence of monks and
Buddhist people (Kuti), while for supporting function such as canteen, office, merchandise corner. This
temple has an area of ± 32,000 m2. The site is located on Colonel Masturi street no VIII, which is a
mountainous area with cold atmosphere. The owner of this land is Yayasan Bandung Sucinno Indonesia
which is engaged in advancing the spread of Buddhism. The main users of this temple are monks and
Buddhist people. The essence of Buddhism is the attainment of Nibb?na, where it can be obtained
through meditation. This meditation activity can be done well if supported by a calm environment
atmosphere that helps people to concentrate. Therefore, the basic concept of designing this temple is
tranquility. This concept of tranquility is implemented in the selection of mass composition from simple
geometric shapes, the composition of the site and the building, the laying of the masses that concerned
with the axis, hierarchy and contour differences, and the existence of open spaces with lawns. This
concept is also poured in the selection of materials that use dominant wood in all buildings except
Uposatthagara. |
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