THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY
Regional symbols are the product of community production, which has a strategy to give expression, identity images, and values that have ideology or meaning through visual media. The symbol has an infrastructure that must be easily understood, delivered, placed, structured, effective, respects no...
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id-itb.:422992019-09-18T10:17:46ZTHE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY georgia andriani, Yolanda Indonesia Theses Regional symbols, identity, socio-culture, Banjarmasin City INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/42299 Regional symbols are the product of community production, which has a strategy to give expression, identity images, and values that have ideology or meaning through visual media. The symbol has an infrastructure that must be easily understood, delivered, placed, structured, effective, respects norms and regulations, and is able to become an identity. Regional symbols are used to convey identity for a region, province, community agency and official agencies such as those of the government. The Republic of Indonesia Government Regulation states that the regional symbol is a cultural symbol, must be a binding unit for the reflection and preservation of the preservation of the socio-cultural values of the local community. Based on these regulations, the purpose of this study is to examine the visual meaning of the symbol of the city of Banjarmasin as the socio-cultural identity of the local community, has a diversity of tribes and nations, resulting in cultural acculturation in the city of Banjarmasin which is interesting to study, related to socio-cultural values as the ideology of the formation identity on the symbol of the City of Banjarmasin. This research uses a qualitative approach, with data search methods through visual ethnography. Starting from observation and visual data collection in the city of Banjarmasin to find out the identity and value of the socio-cultural system formed in the community. Then interviews with related agencies in the government, culturalists, and the community in the city of Banjarmasin. All data obtained, processed and reduced using data triangulation techniques based on the study of documents and archives, and related literature. The results of this study revealed that the Banjarmasin City symbol is closely related to the socio-cultural values of the Banjar tribe as the majority tribe, the historical background of the Banjar Kingdom and the Banjar Sultanate. Visualization of regional symbols includes identity and attractions, natural and economic resources, and the value of tradition and culture in the city of Banjarmasin, as well as perceptions that are formed and agreed upon by the public in seeing the symbol of the city of Banjarmasin as identity. text |
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Regional symbols are the product of community production, which has a strategy
to give expression, identity images, and values that have ideology or meaning
through visual media. The symbol has an infrastructure that must be easily
understood, delivered, placed, structured, effective, respects norms and
regulations, and is able to become an identity. Regional symbols are used to
convey identity for a region, province, community agency and official agencies
such as those of the government.
The Republic of Indonesia Government Regulation states that the regional symbol
is a cultural symbol, must be a binding unit for the reflection and preservation of
the preservation of the socio-cultural values of the local community. Based on
these regulations, the purpose of this study is to examine the visual meaning of the
symbol of the city of Banjarmasin as the socio-cultural identity of the local
community, has a diversity of tribes and nations, resulting in cultural
acculturation in the city of Banjarmasin which is interesting to study, related to
socio-cultural values as the ideology of the formation identity on the symbol of the
City of Banjarmasin.
This research uses a qualitative approach, with data search methods through
visual ethnography. Starting from observation and visual data collection in the
city of Banjarmasin to find out the identity and value of the socio-cultural system
formed in the community. Then interviews with related agencies in the
government, culturalists, and the community in the city of Banjarmasin. All data
obtained, processed and reduced using data triangulation techniques based on the
study of documents and archives, and related literature.
The results of this study revealed that the Banjarmasin City symbol is closely
related to the socio-cultural values of the Banjar tribe as the majority tribe, the
historical background of the Banjar Kingdom and the Banjar Sultanate.
Visualization of regional symbols includes identity and attractions, natural and
economic resources, and the value of tradition and culture in the city of
Banjarmasin, as well as perceptions that are formed and agreed upon by the
public in seeing the symbol of the city of Banjarmasin as identity. |
format |
Theses |
author |
georgia andriani, Yolanda |
spellingShingle |
georgia andriani, Yolanda THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
author_facet |
georgia andriani, Yolanda |
author_sort |
georgia andriani, Yolanda |
title |
THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
title_short |
THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
title_full |
THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
title_fullStr |
THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
title_full_unstemmed |
THE VISUAL MEANING OF BANJARMASIN CITY SYMBOL AS SOCIO-CULTURE IDENTITY |
title_sort |
visual meaning of banjarmasin city symbol as socio-culture identity |
url |
https://digilib.itb.ac.id/gdl/view/42299 |
_version_ |
1821998571773231104 |