TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)

The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds o...

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Bibliographic Details
Main Author: Dharma Sahara, Bimanda
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/51853
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Institution: Institut Teknologi Bandung
Language: Indonesia
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Summary:The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds of narratives that involve psychological emotions such as feeling happy, sad, happy, or even angry. Through this final project, the writer tries to separate the female figure from this narrative. The writer feels that the female figure itself has emotional aesthetic strength which should be sufficient to be presented independently. To achieve this idea, the author tries to transfigure female figures by processing them into geometric shapes. The geometric shape was chosen because it is considered to have neutrality and is far from biased in narrative. The writer hopes to present beauty through the composition resulting from colors, shapes, textures and lines so as to create simple but also complex emotions aesthetic.