TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)

The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds o...

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Main Author: Dharma Sahara, Bimanda
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/51853
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:51853
spelling id-itb.:518532020-10-02T14:42:51ZTRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE) Dharma Sahara, Bimanda Indonesia Final Project Figure, Woman, Transfiguration, Geometric INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/51853 The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds of narratives that involve psychological emotions such as feeling happy, sad, happy, or even angry. Through this final project, the writer tries to separate the female figure from this narrative. The writer feels that the female figure itself has emotional aesthetic strength which should be sufficient to be presented independently. To achieve this idea, the author tries to transfigure female figures by processing them into geometric shapes. The geometric shape was chosen because it is considered to have neutrality and is far from biased in narrative. The writer hopes to present beauty through the composition resulting from colors, shapes, textures and lines so as to create simple but also complex emotions aesthetic. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds of narratives that involve psychological emotions such as feeling happy, sad, happy, or even angry. Through this final project, the writer tries to separate the female figure from this narrative. The writer feels that the female figure itself has emotional aesthetic strength which should be sufficient to be presented independently. To achieve this idea, the author tries to transfigure female figures by processing them into geometric shapes. The geometric shape was chosen because it is considered to have neutrality and is far from biased in narrative. The writer hopes to present beauty through the composition resulting from colors, shapes, textures and lines so as to create simple but also complex emotions aesthetic.
format Final Project
author Dharma Sahara, Bimanda
spellingShingle Dharma Sahara, Bimanda
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
author_facet Dharma Sahara, Bimanda
author_sort Dharma Sahara, Bimanda
title TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
title_short TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
title_full TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
title_fullStr TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
title_full_unstemmed TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMAN’S FIGURE)
title_sort transfigurasi geometrik figur perempuan (geometric transfiguration of woman’s figure)
url https://digilib.itb.ac.id/gdl/view/51853
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