TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE)
The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds o...
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Language: | Indonesia |
Online Access: | https://digilib.itb.ac.id/gdl/view/51853 |
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id-itb.:518532020-10-02T14:42:51ZTRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) Dharma Sahara, Bimanda Indonesia Final Project Figure, Woman, Transfiguration, Geometric INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/51853 The author considers that the female figure is an important figure in the world of fine arts, especially painting, this is indicated by the number of works that borrow women's bodies as a medium to convey ideas. The author sees that the female figure is always associated with various kinds of narratives that involve psychological emotions such as feeling happy, sad, happy, or even angry. Through this final project, the writer tries to separate the female figure from this narrative. The writer feels that the female figure itself has emotional aesthetic strength which should be sufficient to be presented independently. To achieve this idea, the author tries to transfigure female figures by processing them into geometric shapes. The geometric shape was chosen because it is considered to have neutrality and is far from biased in narrative. The writer hopes to present beauty through the composition resulting from colors, shapes, textures and lines so as to create simple but also complex emotions aesthetic. text |
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Indonesia |
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The author considers that the female figure is an important figure in the world of
fine arts, especially painting, this is indicated by the number of works that borrow
women's bodies as a medium to convey ideas. The author sees that the female figure
is always associated with various kinds of narratives that involve psychological
emotions such as feeling happy, sad, happy, or even angry. Through this final
project, the writer tries to separate the female figure from this narrative. The writer
feels that the female figure itself has emotional aesthetic strength which should be
sufficient to be presented independently.
To achieve this idea, the author tries to transfigure female figures by processing
them into geometric shapes. The geometric shape was chosen because it is
considered to have neutrality and is far from biased in narrative. The writer hopes
to present beauty through the composition resulting from colors, shapes, textures
and lines so as to create simple but also complex emotions aesthetic. |
format |
Final Project |
author |
Dharma Sahara, Bimanda |
spellingShingle |
Dharma Sahara, Bimanda TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
author_facet |
Dharma Sahara, Bimanda |
author_sort |
Dharma Sahara, Bimanda |
title |
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
title_short |
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
title_full |
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
title_fullStr |
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
title_full_unstemmed |
TRANSFIGURASI GEOMETRIK FIGUR PEREMPUAN (GEOMETRIC TRANSFIGURATION OF WOMANâS FIGURE) |
title_sort |
transfigurasi geometrik figur perempuan (geometric transfiguration of womanâs figure) |
url |
https://digilib.itb.ac.id/gdl/view/51853 |
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1822928865749630976 |