SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)

As a Muslim, the purpose of life is to worship Allah to received His grace, instead of seeking as much worldly pleasure as possible. However, in reality this goal has not been fully practiced in the author's life, even the author feels more inclined to purely mundane matters. Therefore, the aut...

Full description

Saved in:
Bibliographic Details
Main Author: Hafizh Hasbie, Muhammad
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/69183
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:69183
spelling id-itb.:691832022-09-20T19:52:10ZSYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT) Hafizh Hasbie, Muhammad Indonesia Final Project Muhasabah, Symbolism, Printmaking, Intaglio INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/69183 As a Muslim, the purpose of life is to worship Allah to received His grace, instead of seeking as much worldly pleasure as possible. However, in reality this goal has not been fully practiced in the author's life, even the author feels more inclined to purely mundane matters. Therefore, the author tried to study the nature of the world, humans, and human relations to the world where The Qur'an and Hadith have mentioned and warned. The results of the learning process are then contemplated and transformed into symbolic artwork by the intaglio technique. The author displayed pairs of symbol in the works, hands and feet which symbolize human deeds and efforts, and clouds that represent the world with all the beauty and pleasures, but in fact ephemeral and deceiving. Through an intense and continuous process of work, followed by self-reflection, the author discover similarities between etching and human deeds records, that everything we do is being written and will be held accountable, and sometimes we cannot know what have been marked for sure before being printed. Nor can we know the results of our deeds records with certainty before we die. Etching is a technique that bound to rules and require a knowledge. Knowledge is not enough just to be known, but also to be carry out with devotion. Therefore, living in this world, we must know the essence of life. Trying as much as possible to understand the rules and mend our mistakes continuously, like working on an etching plate. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description As a Muslim, the purpose of life is to worship Allah to received His grace, instead of seeking as much worldly pleasure as possible. However, in reality this goal has not been fully practiced in the author's life, even the author feels more inclined to purely mundane matters. Therefore, the author tried to study the nature of the world, humans, and human relations to the world where The Qur'an and Hadith have mentioned and warned. The results of the learning process are then contemplated and transformed into symbolic artwork by the intaglio technique. The author displayed pairs of symbol in the works, hands and feet which symbolize human deeds and efforts, and clouds that represent the world with all the beauty and pleasures, but in fact ephemeral and deceiving. Through an intense and continuous process of work, followed by self-reflection, the author discover similarities between etching and human deeds records, that everything we do is being written and will be held accountable, and sometimes we cannot know what have been marked for sure before being printed. Nor can we know the results of our deeds records with certainty before we die. Etching is a technique that bound to rules and require a knowledge. Knowledge is not enough just to be known, but also to be carry out with devotion. Therefore, living in this world, we must know the essence of life. Trying as much as possible to understand the rules and mend our mistakes continuously, like working on an etching plate.
format Final Project
author Hafizh Hasbie, Muhammad
spellingShingle Hafizh Hasbie, Muhammad
SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
author_facet Hafizh Hasbie, Muhammad
author_sort Hafizh Hasbie, Muhammad
title SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
title_short SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
title_full SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
title_fullStr SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
title_full_unstemmed SYMBOLIC VISUAL OF MUHASABAH THROUGH PRINTMAKING TECHNIQUES (ETCHING, AQUATINT, AND DRYPOINT)
title_sort symbolic visual of muhasabah through printmaking techniques (etching, aquatint, and drypoint)
url https://digilib.itb.ac.id/gdl/view/69183
_version_ 1822005969389879296