RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
The abundant teak wood waste in the village of Tempellemahbang, Blora Regency, which is called rencek, was explored through a creative process by the author and used as a medium for creating paintings. Awareness of the exploration of rencek as a medium for painting is supported by the author'...
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| Main Author: | |
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| Format: | Theses |
| Language: | Indonesia |
| Online Access: | https://digilib.itb.ac.id/gdl/view/74745 |
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| Institution: | Institut Teknologi Bandung |
| Language: | Indonesia |
| Summary: | The abundant teak wood waste in the village of Tempellemahbang, Blora Regency, which is called
rencek, was explored through a creative process by the author and used as a medium for creating
paintings. Awareness of the exploration of rencek as a medium for painting is supported by the
author's aesthetic intuition, as well as the habitus connection between the people of
Tempellemahbang Village and the writer. As for the method of creating works, namely, the author
collects & formulates problems related to the topic of the habitus of the people of
Tempellemahbang Village, interprets the topic of the problem that is stretched by the writer to
make it an idea for the work, the work design process starts from the medium used to the
visualization of the work form, and the execution stage and work realization. In creating this work,
the author is interested in and uses references to the work of several Indonesian artists Heri Dono,
Amrus Natalsya, and Masmundari. The author explores using teak wood as a medium and
produces five works with the title of work, among others; (1) The Village Girl, (2) Plug Your Ears
and Scream, (3) Blandong Kayu, (4) The Steps of a Livelihood and (5) Our Expressions. The
writer, who is a native of Tempelembang Village, is intrigued and wants to voice the issue of
housing inconveniences in the environment by representing it in the form of works of art. The
author uses the medium of rencek wood waste originating from industry. The author is interested
in all the activities, expressions and responses of the surrounding community regarding the wood
industry environment which can be expressed in contemporary works of art. Through this painting,
it is hoped that it will be able to become a medium of artistic expression in expressing the
expression of a society that is "oppressed" by capitalists |
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