RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.

The abundant teak wood waste in the village of Tempellemahbang, Blora Regency, which is called rencek, was explored through a creative process by the author and used as a medium for creating paintings. Awareness of the exploration of rencek as a medium for painting is supported by the author'...

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Main Author: Alfiana Imawati, Rizka
Format: Theses
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/74745
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:74745
spelling id-itb.:747452023-07-21T14:22:13ZRENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER. Alfiana Imawati, Rizka Indonesia Theses Rencek, Contemporary Art, Decorative, Blora Regency INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/74745 The abundant teak wood waste in the village of Tempellemahbang, Blora Regency, which is called rencek, was explored through a creative process by the author and used as a medium for creating paintings. Awareness of the exploration of rencek as a medium for painting is supported by the author's aesthetic intuition, as well as the habitus connection between the people of Tempellemahbang Village and the writer. As for the method of creating works, namely, the author collects & formulates problems related to the topic of the habitus of the people of Tempellemahbang Village, interprets the topic of the problem that is stretched by the writer to make it an idea for the work, the work design process starts from the medium used to the visualization of the work form, and the execution stage and work realization. In creating this work, the author is interested in and uses references to the work of several Indonesian artists Heri Dono, Amrus Natalsya, and Masmundari. The author explores using teak wood as a medium and produces five works with the title of work, among others; (1) The Village Girl, (2) Plug Your Ears and Scream, (3) Blandong Kayu, (4) The Steps of a Livelihood and (5) Our Expressions. The writer, who is a native of Tempelembang Village, is intrigued and wants to voice the issue of housing inconveniences in the environment by representing it in the form of works of art. The author uses the medium of rencek wood waste originating from industry. The author is interested in all the activities, expressions and responses of the surrounding community regarding the wood industry environment which can be expressed in contemporary works of art. Through this painting, it is hoped that it will be able to become a medium of artistic expression in expressing the expression of a society that is "oppressed" by capitalists text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description The abundant teak wood waste in the village of Tempellemahbang, Blora Regency, which is called rencek, was explored through a creative process by the author and used as a medium for creating paintings. Awareness of the exploration of rencek as a medium for painting is supported by the author's aesthetic intuition, as well as the habitus connection between the people of Tempellemahbang Village and the writer. As for the method of creating works, namely, the author collects & formulates problems related to the topic of the habitus of the people of Tempellemahbang Village, interprets the topic of the problem that is stretched by the writer to make it an idea for the work, the work design process starts from the medium used to the visualization of the work form, and the execution stage and work realization. In creating this work, the author is interested in and uses references to the work of several Indonesian artists Heri Dono, Amrus Natalsya, and Masmundari. The author explores using teak wood as a medium and produces five works with the title of work, among others; (1) The Village Girl, (2) Plug Your Ears and Scream, (3) Blandong Kayu, (4) The Steps of a Livelihood and (5) Our Expressions. The writer, who is a native of Tempelembang Village, is intrigued and wants to voice the issue of housing inconveniences in the environment by representing it in the form of works of art. The author uses the medium of rencek wood waste originating from industry. The author is interested in all the activities, expressions and responses of the surrounding community regarding the wood industry environment which can be expressed in contemporary works of art. Through this painting, it is hoped that it will be able to become a medium of artistic expression in expressing the expression of a society that is "oppressed" by capitalists
format Theses
author Alfiana Imawati, Rizka
spellingShingle Alfiana Imawati, Rizka
RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
author_facet Alfiana Imawati, Rizka
author_sort Alfiana Imawati, Rizka
title RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
title_short RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
title_full RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
title_fullStr RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
title_full_unstemmed RENCEK PADA HABITUS MASYARAKAT DESA TEMPELLEMAHBANG DALAM KARYA SENI RUPA KONTENPORER.
title_sort rencek pada habitus masyarakat desa tempellemahbang dalam karya seni rupa kontenporer.
url https://digilib.itb.ac.id/gdl/view/74745
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