KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA

Batik is a form of culture in Indonesia. Starting with an interest in batik motifs and a desire to reinterpret the author's relationship with the author's hometown, the author begins by looking at the cultural history of the city of Surakarta and composes these cultural elements into a...

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Main Author: Tristania Utami, Maria
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/83679
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:83679
spelling id-itb.:836792024-08-12T14:13:21ZKLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA Tristania Utami, Maria Indonesia Final Project Batik, Cultural Map, Representation, Memory INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/83679 Batik is a form of culture in Indonesia. Starting with an interest in batik motifs and a desire to reinterpret the author's relationship with the author's hometown, the author begins by looking at the cultural history of the city of Surakarta and composes these cultural elements into a composition depicted on batik motifs. The work process is carried out by emphasizing the paint strokes on the brush and canting them into the surface of the work. The results of the work show that the representational context brought about strata, environment and culture is an imaginary line that builds an identity for an individual, group or society at large. This imaginary line is interpreted and understood to mean that distortions of this imaginary line exist and have rigid and flexible properties according to where the individual lives. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description Batik is a form of culture in Indonesia. Starting with an interest in batik motifs and a desire to reinterpret the author's relationship with the author's hometown, the author begins by looking at the cultural history of the city of Surakarta and composes these cultural elements into a composition depicted on batik motifs. The work process is carried out by emphasizing the paint strokes on the brush and canting them into the surface of the work. The results of the work show that the representational context brought about strata, environment and culture is an imaginary line that builds an identity for an individual, group or society at large. This imaginary line is interpreted and understood to mean that distortions of this imaginary line exist and have rigid and flexible properties according to where the individual lives.
format Final Project
author Tristania Utami, Maria
spellingShingle Tristania Utami, Maria
KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
author_facet Tristania Utami, Maria
author_sort Tristania Utami, Maria
title KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
title_short KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
title_full KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
title_fullStr KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
title_full_unstemmed KLANGENAN KINASIH: BATIK MOTIFS AS A SYMBOLIC REPRESENTATION OF THE CULTURAL MAP OF SURAKARTA
title_sort klangenan kinasih: batik motifs as a symbolic representation of the cultural map of surakarta
url https://digilib.itb.ac.id/gdl/view/83679
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