ANALISIS PERUPAAN LUKISAN KACA HARYADI SUADI DAN RASTIKA DALAM PAMERAN CERITA KACA

• Main Author: Ilhamal Hafizh, Aufiya
• Format: Final Project
• Language: Indonesia
• Online Access: https://digilib.itb.ac.id/gdl/view/87105
• Institution: Institut Teknologi Bandung

Haryadi Suadi and Rastika are Cirebon-based visual artists who are trying to revitalize reverse glass paintings, which had declined in popularity between the late 1990s and the early 2010s due to the lack of public efforts on appreciating and preserving reverse glass paintings. Efforts to revitalize reverse glass paintings aim to revive the popularity of reverse glass paintings, as well as regenerating public enthusiasm on studying, appreciating and preserving reverse glass paintings. This then became the background for holding the glass painting exhibition "Cerita Kaca" as a form of effort to revitalize reverse glass paintings. As figures of inspiration and innovators in the development of Indonesian reverse glass paintings, Haryadi Suadi and Rastika developed new knowledge and skills in reverse glass painting, one of which is in terms of the visual composition of reverse glass paintings, which is the main focus of this research. This final project discusses Haryadi Suadi and Rastika's reverse glass paintings in the "Cerita Kaca" exhibition which carries the concept of narrative painting, because in this final project will be examined in depth the characteristics of the visual composition of Haryadi Suadi and Rastika's reverse glass paintings as well as finding its interpretation based on the reading of its visual composition. This research is a qualitative-descriptive research with interdisciplinary approach which is cultural anthropology. Data sources for this final project research were obtained through interviews, literature studies, and observations. This research aims to understand in more depth the unique characteristics of Haryadi Suadi and Rastika’s reverse glass paintings through the reading of its visual composition and its interpretations. Based on the results of the analysis in this research, it can be concluded that Haryadi Suadi and Rastika’s reverse glass paintings have similarities in visualization and interpretation, but on the one hand, Haryadi Suadi and Rastika’s reverse glass paintings also have differences on visualization and interpretation.