TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI JAWA TIMUR
This research showcases problems in the management of commissioners� community and Wayang Jèkdong performances with the case study on Ki Surwedi. Ki Surwedi is the gateway to the understanding of Wayang Jèkdong performances and art management. The research aims to describe cultural phenomenon of...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Theses and Dissertations NonPeerReviewed |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2013
|
| Subjects: | |
| Online Access: | https://repository.ugm.ac.id/119352/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=59349 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Universitas Gadjah Mada |
| Summary: | This research showcases problems in the management of
commissioners� community and Wayang Jèkdong performances
with the case study on Ki Surwedi. Ki Surwedi is the gateway to
the understanding of Wayang Jèkdong performances and art
management.
The research aims to describe cultural phenomenon of
Wayang Jèkdong by Ki Surwedi in its relation to the
commissioners, audiences, and various social institutions from the
village to the regional level. Etnographic methodology was
employed to observe the commissioner groups and audiences of
Wayang Jèkdong. A field study or grounded research is done to
understand the relationship patterns between the performer and
relatives, commissioners, and audiences. The obtained data were
processed through the concept of habitus, arena, capital, and
practices. Wayang performance management was analysed through
the concept of arena and narrative analysis. The realm of Wayang
Jèkdong performance can be seen as a practice within and for East
Java collective community that contains cultural, economy, sociopolitics,
and symbolic struggles.
According to the result, Wayang Jèkdong performative space
is a social arena tight with celebrative tradition in East Java
society. Celebrative tradition is maintained due to the belief system
and strong social solidarity within the aforementioned society.
Wayang Jèkdong performance is still solid through the support of
the commisioners, especially in its close relation to celebration.
Some models of capital management in performing wayang are: (1)
nyalap-nyaur model (giving-returning the donation in-natura) |
|---|