TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI JAWA TIMUR
This research showcases problems in the management of commissioners� community and Wayang Jèkdong performances with the case study on Ki Surwedi. Ki Surwedi is the gateway to the understanding of Wayang Jèkdong performances and art management. The research aims to describe cultural phenomenon of...
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[Yogyakarta] : Universitas Gadjah Mada
2013
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id-ugm-repo.1193522016-03-04T08:44:30Z https://repository.ugm.ac.id/119352/ TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI JAWA TIMUR , Wisma Nugraha CH.R., Drs.,M.Hum. , Prof. Dr. H. Timbul Haryono, M.Sc. ETD This research showcases problems in the management of commissioners� community and Wayang Jèkdong performances with the case study on Ki Surwedi. Ki Surwedi is the gateway to the understanding of Wayang Jèkdong performances and art management. The research aims to describe cultural phenomenon of Wayang Jèkdong by Ki Surwedi in its relation to the commissioners, audiences, and various social institutions from the village to the regional level. Etnographic methodology was employed to observe the commissioner groups and audiences of Wayang Jèkdong. A field study or grounded research is done to understand the relationship patterns between the performer and relatives, commissioners, and audiences. The obtained data were processed through the concept of habitus, arena, capital, and practices. Wayang performance management was analysed through the concept of arena and narrative analysis. The realm of Wayang Jèkdong performance can be seen as a practice within and for East Java collective community that contains cultural, economy, sociopolitics, and symbolic struggles. According to the result, Wayang Jèkdong performative space is a social arena tight with celebrative tradition in East Java society. Celebrative tradition is maintained due to the belief system and strong social solidarity within the aforementioned society. Wayang Jèkdong performance is still solid through the support of the commisioners, especially in its close relation to celebration. Some models of capital management in performing wayang are: (1) nyalap-nyaur model (giving-returning the donation in-natura) [Yogyakarta] : Universitas Gadjah Mada 2013 Thesis NonPeerReviewed , Wisma Nugraha CH.R., Drs.,M.Hum. and , Prof. Dr. H. Timbul Haryono, M.Sc. (2013) TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI JAWA TIMUR. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=59349 |
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ETD , Wisma Nugraha CH.R., Drs.,M.Hum. , Prof. Dr. H. Timbul Haryono, M.Sc. TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI JAWA TIMUR |
description |
This research showcases problems in the management of
commissioners� community and Wayang Jèkdong performances
with the case study on Ki Surwedi. Ki Surwedi is the gateway to
the understanding of Wayang Jèkdong performances and art
management.
The research aims to describe cultural phenomenon of
Wayang Jèkdong by Ki Surwedi in its relation to the
commissioners, audiences, and various social institutions from the
village to the regional level. Etnographic methodology was
employed to observe the commissioner groups and audiences of
Wayang Jèkdong. A field study or grounded research is done to
understand the relationship patterns between the performer and
relatives, commissioners, and audiences. The obtained data were
processed through the concept of habitus, arena, capital, and
practices. Wayang performance management was analysed through
the concept of arena and narrative analysis. The realm of Wayang
Jèkdong performance can be seen as a practice within and for East
Java collective community that contains cultural, economy, sociopolitics,
and symbolic struggles.
According to the result, Wayang Jèkdong performative space
is a social arena tight with celebrative tradition in East Java
society. Celebrative tradition is maintained due to the belief system
and strong social solidarity within the aforementioned society.
Wayang Jèkdong performance is still solid through the support of
the commisioners, especially in its close relation to celebration.
Some models of capital management in performing wayang are: (1)
nyalap-nyaur model (giving-returning the donation in-natura) |
format |
Theses and Dissertations NonPeerReviewed |
author |
, Wisma Nugraha CH.R., Drs.,M.Hum. , Prof. Dr. H. Timbul Haryono, M.Sc. |
author_facet |
, Wisma Nugraha CH.R., Drs.,M.Hum. , Prof. Dr. H. Timbul Haryono, M.Sc. |
author_sort |
, Wisma Nugraha CH.R., Drs.,M.Hum. |
title |
TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI
JAWA TIMUR |
title_short |
TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI
JAWA TIMUR |
title_full |
TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI
JAWA TIMUR |
title_fullStr |
TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI
JAWA TIMUR |
title_full_unstemmed |
TATAKELOLA KOMUNITAS PENANGGAP DAN PERGELARAN WAYANG JEKDONG KI SURWEDI
JAWA TIMUR |
title_sort |
tatakelola komunitas penanggap dan pergelaran wayang jekdong ki surwedi
jawa timur |
publisher |
[Yogyakarta] : Universitas Gadjah Mada |
publishDate |
2013 |
url |
https://repository.ugm.ac.id/119352/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=59349 |
_version_ |
1681231128582684672 |