REALISME MAGIS DALAM PUISI GENDHING PULEBAHASAN KARYA BADRUDDIN EMCE: KONSEP KARAKTERISTIK REALISME MAGIS WENDY B. FARIS

• Main Authors: , Retno Iswandari, , Prof. Dr. Faruk, SU.
• Format: Theses and Dissertations NonPeerReviewed
• Published: [Yogyakarta] : Universitas Gadjah Mada 2014
• Subjects: ETD
• Online Access: https://repository.ugm.ac.id/128668/; http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=69032
• Institution: Universitas Gadjah Mada

Magic Realism is a global literary tendency which the effect starting to enter Indonesia in 1990�s. The initial indication of the magic realism is to represent myths and legends as magic and traditional in the middle of modern world. This indication is founded in Badruddin Emce�s poem entitled Gendhing Pulebahasan. This research aims to measure magic realism degree in Gendhing Pulebahasan and to compare the narrative context in this poem with the social and cultural context where it came from. To gain it, this research use magic realism narrative theory which is presented by Wendy B. Faris. In the theory, there are five characteristic elements, which are the irreducible element, the phenomenal world, the unsettling doubts, merging realms, dan disruption of time, space, and identity. From the analysis of the characteristics of magical realism either on each element or the relationship between elements, this poem qualify as a work of magical realism because this poem has five magic realism elements of characteristics, both within itself and in relation to others. As a work of magical realism Gendhing Pulebahasan poem has a fairly strong level indicated by the overall narrative structure of the real characters and magical characters and the real events and the magical events which are proved to be balanced. As a magical realism poem, Gendhing Pulebahasan raised a number of issues related to the social and cultural context in Cilacap. This poem continues to be critical both in front of the real and the magical. Thus, the poet succeeded in stating his view which is different from the collective perspective. Moreover, in the presence of modernization as a global context, this poem also postured to be in line but on the other side in the opposite line. Therefore, this poem is actually not reject modernity in itself, but the accompanying exploitative character. The relationship between the traditional world and the modern world is still running fine so far not exploitative. The issue was successfully delivered by the poet in accordance with the socio- cultural context in Cilacap after undergoing modernization by way of presenting the magical world and the real world and the traditional and the modern with the narrative strategies of magical realism.