PEMBENTUKAN HABITUS MUSIKAL PADAKOMUNITAS JAZZ JOGJA PENGISI ALBUM KOMPILASI
Jogja Jazz Community was formedbecause of the concern of jazz musicians in Jogjakarta. They worried that jazz image would turnas an elite music. There fore, they held a jazz show that could be enjoyed by all social classes in Yogyakarta. In addition to doing the show, this community often documented...
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| Main Authors: | , |
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| Format: | Theses and Dissertations NonPeerReviewed |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2014
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| Subjects: | |
| Online Access: | https://repository.ugm.ac.id/134101/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=75091 |
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| Institution: | Universitas Gadjah Mada |
| Summary: | Jogja Jazz Community was formedbecause of the concern of
jazz musicians in Jogjakarta. They worried that jazz image would
turnas an elite music. There fore, they held a jazz show that could be
enjoyed by all social classes in Yogyakarta. In addition to doing the
show, this community often documented their work in the form of a
compilation album (CD). During 2009-2013, five compilation albums
had been produced with various concepts. This research focuses on
the five compilation albums by observing its musical characteristic,
production process, and the role of these albums to its musicians.
Collected data ware analizedwith the method of musicology to observe
the concept alteration in the form of notation. Habitus theory was
used to observe the social change that happened in the making of
Jogja Jazz Community compilation album.
The result showesthat the compilation album formed a musical
habitus to its contributors. This was proven by the contributors�
condition before following the compilation album, when they did not
yet have the jazz musical and strong Indonesian traditional habitus.
The production process of the compilation album enabled
contributors to be able to play jazz music without forgetting
Indonesian traditional art. |
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