PEMBENTUKAN HABITUS MUSIKAL PADAKOMUNITAS JAZZ JOGJA PENGISI ALBUM KOMPILASI

• Main Authors: , YOFI IRVAN VIVIAN, , Dr. G. R. Lono Lastoro S., M.A.
• Format: Theses and Dissertations NonPeerReviewed
• Published: [Yogyakarta] : Universitas Gadjah Mada 2014
• Subjects: ETD
• Online Access: https://repository.ugm.ac.id/134101/; http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=75091
• Institution: Universitas Gadjah Mada

Jogja Jazz Community was formedbecause of the concern of jazz musicians in Jogjakarta. They worried that jazz image would turnas an elite music. There fore, they held a jazz show that could be enjoyed by all social classes in Yogyakarta. In addition to doing the show, this community often documented their work in the form of a compilation album (CD). During 2009-2013, five compilation albums had been produced with various concepts. This research focuses on the five compilation albums by observing its musical characteristic, production process, and the role of these albums to its musicians. Collected data ware analizedwith the method of musicology to observe the concept alteration in the form of notation. Habitus theory was used to observe the social change that happened in the making of Jogja Jazz Community compilation album. The result showesthat the compilation album formed a musical habitus to its contributors. This was proven by the contributors� condition before following the compilation album, when they did not yet have the jazz musical and strong Indonesian traditional habitus. The production process of the compilation album enabled contributors to be able to play jazz music without forgetting Indonesian traditional art.