Baitul Rahmah: a final evolution of the Malay classical style amidst change

The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic evolvement of local vernacular architecture. Its form embodies, a typological variation at a time of growing Colonial imperialism,...

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Main Authors: Abdul Majid, Noor Hanita, Jahn Kassim, Puteri Shireen, Raja Abdul Kadir, Tengku Anis Qarihah, Sapian, Abdul Razak, Samsuddin, Abu Dzar
Format: Article
Language:English
Published: Universitas Indraprasta PGRI 2020
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Online Access:http://irep.iium.edu.my/83238/1/83238_Baitul%20Rahmah.pdf
http://irep.iium.edu.my/83238/
https://journal.unindra.ac.id/index.php/cusy/article/view/347
https://doi.org/10.30998/cs.v2i1.347
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Institution: Universiti Islam Antarabangsa Malaysia
Language: English
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Summary:The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic evolvement of local vernacular architecture. Its form embodies, a typological variation at a time of growing Colonial imperialism, while its grammar and language refers to early modern stylistic expression reflecting the fundamental principles of indigenous architecture. The Baitul Rahmah brings to light how a final evolution and epitome of the vernacular projects an identity as a cosmopolitan manifestation. Its internal ornamentation recalls the stylized forms of local motifs and reflect a form of control and minimalism; i.e. an ‘ornamental decorum’. Its wood-carved expressions seem stylised into increasing ‘modernised’ simplication and modularity, while its masonry- timber structure reflect the identity of hybridity in architecture which symbolise the tensions of local communities as they step into the 1900s into a global context.