Baitul Rahmah: a final evolution of the Malay classical style amidst change

The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic evolvement of local vernacular architecture. Its form embodies, a typological variation at a time of growing Colonial imperialism,...

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Main Authors: Abdul Majid, Noor Hanita, Jahn Kassim, Puteri Shireen, Raja Abdul Kadir, Tengku Anis Qarihah, Sapian, Abdul Razak, Samsuddin, Abu Dzar
Format: Article
Language:English
Published: Universitas Indraprasta PGRI 2020
Subjects:
Online Access:http://irep.iium.edu.my/83238/1/83238_Baitul%20Rahmah.pdf
http://irep.iium.edu.my/83238/
https://journal.unindra.ac.id/index.php/cusy/article/view/347
https://doi.org/10.30998/cs.v2i1.347
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Institution: Universiti Islam Antarabangsa Malaysia
Language: English
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spelling my.iium.irep.832382020-11-23T02:11:52Z http://irep.iium.edu.my/83238/ Baitul Rahmah: a final evolution of the Malay classical style amidst change Abdul Majid, Noor Hanita Jahn Kassim, Puteri Shireen Raja Abdul Kadir, Tengku Anis Qarihah Sapian, Abdul Razak Samsuddin, Abu Dzar NA Architecture Ancient architecture Modern architeture NK Decorative arts Applied arts Decoration and ornament The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic evolvement of local vernacular architecture. Its form embodies, a typological variation at a time of growing Colonial imperialism, while its grammar and language refers to early modern stylistic expression reflecting the fundamental principles of indigenous architecture. The Baitul Rahmah brings to light how a final evolution and epitome of the vernacular projects an identity as a cosmopolitan manifestation. Its internal ornamentation recalls the stylized forms of local motifs and reflect a form of control and minimalism; i.e. an ‘ornamental decorum’. Its wood-carved expressions seem stylised into increasing ‘modernised’ simplication and modularity, while its masonry- timber structure reflect the identity of hybridity in architecture which symbolise the tensions of local communities as they step into the 1900s into a global context. Universitas Indraprasta PGRI 2020 Article PeerReviewed application/pdf en http://irep.iium.edu.my/83238/1/83238_Baitul%20Rahmah.pdf Abdul Majid, Noor Hanita and Jahn Kassim, Puteri Shireen and Raja Abdul Kadir, Tengku Anis Qarihah and Sapian, Abdul Razak and Samsuddin, Abu Dzar (2020) Baitul Rahmah: a final evolution of the Malay classical style amidst change. Cultural Syndrome, 2 (1). pp. 78-99. E-ISSN 2685-3825 https://journal.unindra.ac.id/index.php/cusy/article/view/347 https://doi.org/10.30998/cs.v2i1.347
institution Universiti Islam Antarabangsa Malaysia
building IIUM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider International Islamic University Malaysia
content_source IIUM Repository (IREP)
url_provider http://irep.iium.edu.my/
language English
topic NA Architecture
Ancient architecture
Modern architeture
NK Decorative arts Applied arts Decoration and ornament
spellingShingle NA Architecture
Ancient architecture
Modern architeture
NK Decorative arts Applied arts Decoration and ornament
Abdul Majid, Noor Hanita
Jahn Kassim, Puteri Shireen
Raja Abdul Kadir, Tengku Anis Qarihah
Sapian, Abdul Razak
Samsuddin, Abu Dzar
Baitul Rahmah: a final evolution of the Malay classical style amidst change
description The paper highlights the significance and position of the Baitul Rahmah, an early 20th-century mansion in Kuala Kangsar, Perak, Malaysia, as a key milestone of stylistic evolvement of local vernacular architecture. Its form embodies, a typological variation at a time of growing Colonial imperialism, while its grammar and language refers to early modern stylistic expression reflecting the fundamental principles of indigenous architecture. The Baitul Rahmah brings to light how a final evolution and epitome of the vernacular projects an identity as a cosmopolitan manifestation. Its internal ornamentation recalls the stylized forms of local motifs and reflect a form of control and minimalism; i.e. an ‘ornamental decorum’. Its wood-carved expressions seem stylised into increasing ‘modernised’ simplication and modularity, while its masonry- timber structure reflect the identity of hybridity in architecture which symbolise the tensions of local communities as they step into the 1900s into a global context.
format Article
author Abdul Majid, Noor Hanita
Jahn Kassim, Puteri Shireen
Raja Abdul Kadir, Tengku Anis Qarihah
Sapian, Abdul Razak
Samsuddin, Abu Dzar
author_facet Abdul Majid, Noor Hanita
Jahn Kassim, Puteri Shireen
Raja Abdul Kadir, Tengku Anis Qarihah
Sapian, Abdul Razak
Samsuddin, Abu Dzar
author_sort Abdul Majid, Noor Hanita
title Baitul Rahmah: a final evolution of the Malay classical style amidst change
title_short Baitul Rahmah: a final evolution of the Malay classical style amidst change
title_full Baitul Rahmah: a final evolution of the Malay classical style amidst change
title_fullStr Baitul Rahmah: a final evolution of the Malay classical style amidst change
title_full_unstemmed Baitul Rahmah: a final evolution of the Malay classical style amidst change
title_sort baitul rahmah: a final evolution of the malay classical style amidst change
publisher Universitas Indraprasta PGRI
publishDate 2020
url http://irep.iium.edu.my/83238/1/83238_Baitul%20Rahmah.pdf
http://irep.iium.edu.my/83238/
https://journal.unindra.ac.id/index.php/cusy/article/view/347
https://doi.org/10.30998/cs.v2i1.347
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