The coexistence of purity and impurity: A shinto-based analysis of Hayao Miyazaki's spirited away
This research study attempts to analyze Miyazaki's Spirited Away mainly in accordance to Shinto's concept of purity and impurity, and would also provide a Shinto perspective of the film by an exposition of the visual aesthetics of the film. In this manner, the researcher will use Shinto co...
Saved in:
Main Author: | De Jesus, Celine Bettina S.J. |
---|---|
Format: | text |
Language: | English |
Published: |
Animo Repository
2011
|
Subjects: | |
Online Access: | https://animorepository.dlsu.edu.ph/etd_bachelors/2563 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | De La Salle University |
Language: | English |
Similar Items
-
Exploring the relationship between nature and humankind in Hayao Miyazaki’s 'Princess Mononoke'
by: Lee, Ynex
Published: (2016) -
A study to find out if and how elements of traditional Japanese literature are manifested in the selected works of Japanese animation directors Isao Takahata and Hayao Miyazaki
by: Bauza, Anthea.
Published: (2002) -
Refleksi Ajaran Shinto Dalam Novel Musashi Karya Eiji Yoshikawa: Analisis Semiotik
by: Eli Rostinab, -
Published: (2005) -
KONSEP KEPERCAYAAN SHINTO MENGENAI ALAM TERHADAP PERILAKU TOKOH DALAM FILM "WOOD JOB"
by: ZAFIRAH, 121211331008
Published: (2017) -
A hybrid cultural identity: A comparative analysis of R. Kwan Laurel's Ongpin Stories and Xin-Mei's afraid to be Chinese
by: Tan, Eliza Bridget L.
Published: (2012)