Re-viewing Thomas Lamarre’s The Anime Machine after Hayao Miyazaki’s The Wind Rises: On the Critical Potential of Anime
This article aims to demonstrate how exactly Thomas Lamarre reads movement, plot, and characters in The Anime Machine (2009), as defined to an extent, yet not completely determined by the concept of the animetic machine. Mimicking the first part of Lamarre’s book, it approaches Miyazaki’s last work,...
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Format: | text |
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Archīum Ateneo
2024
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Online Access: | https://archium.ateneo.edu/kk/vol1/iss26/15 https://archium.ateneo.edu/context/kk/article/1949/viewcontent/_5BKKv00n26_2016_5D_204.4_ForumKritika__C3_87alik.pdf |
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Institution: | Ateneo De Manila University |