Re-viewing Thomas Lamarre’s The Anime Machine after Hayao Miyazaki’s The Wind Rises: On the Critical Potential of Anime

This article aims to demonstrate how exactly Thomas Lamarre reads movement, plot, and characters in The Anime Machine (2009), as defined to an extent, yet not completely determined by the concept of the animetic machine. Mimicking the first part of Lamarre’s book, it approaches Miyazaki’s last work,...

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Bibliographic Details
Main Author: Çalık, Selen
Format: text
Published: Archīum Ateneo 2024
Subjects:
Online Access:https://archium.ateneo.edu/kk/vol1/iss26/15
https://archium.ateneo.edu/context/kk/article/1949/viewcontent/_5BKKv00n26_2016_5D_204.4_ForumKritika__C3_87alik.pdf
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Institution: Ateneo De Manila University
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