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The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits comp...
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Main Authors: | , , |
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Format: | text |
Language: | English |
Published: |
Animo Repository
2006
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Online Access: | https://animorepository.dlsu.edu.ph/etd_honors/269 |
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Institution: | De La Salle University |
Language: | English |
Summary: | The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative. |
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