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The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits comp...

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Bibliographic Details
Main Authors: Alicer, Nisha, Crisologo, Caren, Lañas, Bianca
Format: text
Language:English
Published: Animo Repository 2006
Online Access:https://animorepository.dlsu.edu.ph/etd_honors/269
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Institution: De La Salle University
Language: English
Description
Summary:The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative.