Doble Vista
The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits comp...
Saved in:
Main Authors: | , , |
---|---|
Format: | text |
Language: | English |
Published: |
Animo Repository
2006
|
Online Access: | https://animorepository.dlsu.edu.ph/etd_honors/269 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | De La Salle University |
Language: | English |
id |
oai:animorepository.dlsu.edu.ph:etd_honors-1268 |
---|---|
record_format |
eprints |
spelling |
oai:animorepository.dlsu.edu.ph:etd_honors-12682022-02-17T05:23:15Z Doble Vista Alicer, Nisha Crisologo, Caren Lañas, Bianca The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative. 2006-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_honors/269 Honors Theses English Animo Repository |
institution |
De La Salle University |
building |
De La Salle University Library |
continent |
Asia |
country |
Philippines Philippines |
content_provider |
De La Salle University Library |
collection |
DLSU Institutional Repository |
language |
English |
description |
The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative. |
format |
text |
author |
Alicer, Nisha Crisologo, Caren Lañas, Bianca |
spellingShingle |
Alicer, Nisha Crisologo, Caren Lañas, Bianca Doble Vista |
author_facet |
Alicer, Nisha Crisologo, Caren Lañas, Bianca |
author_sort |
Alicer, Nisha |
title |
Doble Vista |
title_short |
Doble Vista |
title_full |
Doble Vista |
title_fullStr |
Doble Vista |
title_full_unstemmed |
Doble Vista |
title_sort |
doble vista |
publisher |
Animo Repository |
publishDate |
2006 |
url |
https://animorepository.dlsu.edu.ph/etd_honors/269 |
_version_ |
1726158483543293952 |