Doble Vista
The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits comp...
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2006
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oai:animorepository.dlsu.edu.ph:etd_honors-12682022-02-17T05:23:15Z Doble Vista Alicer, Nisha Crisologo, Caren Lañas, Bianca The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative. 2006-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_honors/269 Honors Theses English Animo Repository |
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De La Salle University |
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De La Salle University Library |
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Asia |
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Philippines Philippines |
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De La Salle University Library |
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DLSU Institutional Repository |
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English |
| description |
The postmodern condition necessitated a re-evaluation of the values and practices of the world structure and how it gains its legitimacy. The arts confronted this problem through reflexibility in literature and film, Metafiction and Counter-Cinema respectively. But counter-cinema has its limits compared to Metafiction: it only showed metafictional tendencies. The proponents having found a lack of discourse on the Metafictional film motivated the problem this paper and consequently, the film addressed: to consolidate the mode of narrative of Counter-Cinema and the narrative mode of Metafiction in literature by providing a definition for a Metafictional film and describing a mode of narrative. |
| format |
text |
| author |
Alicer, Nisha Crisologo, Caren Lañas, Bianca |
| spellingShingle |
Alicer, Nisha Crisologo, Caren Lañas, Bianca Doble Vista |
| author_facet |
Alicer, Nisha Crisologo, Caren Lañas, Bianca |
| author_sort |
Alicer, Nisha |
| title |
Doble Vista |
| title_short |
Doble Vista |
| title_full |
Doble Vista |
| title_fullStr |
Doble Vista |
| title_full_unstemmed |
Doble Vista |
| title_sort |
doble vista |
| publisher |
Animo Repository |
| publishDate |
2006 |
| url |
https://animorepository.dlsu.edu.ph/etd_honors/269 |
| _version_ |
1726158483543293952 |