Voice and possession in Luisa Igloria's Trill and Mordent

This is a study on selected poems from Luisa Igloria's Trill and Mordent, using Susan Stewart's theoretical framework on voice and possession from Poetry and the Fate of the Senses. The identification of voice and possession in the poems are done through the analysis of various elements of...

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Main Author: Akasaka, Nico E.
Format: text
Language:English
Published: Animo Repository 2006
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Online Access:https://animorepository.dlsu.edu.ph/etd_honors/274
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Institution: De La Salle University
Language: English
id oai:animorepository.dlsu.edu.ph:etd_honors-1273
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spelling oai:animorepository.dlsu.edu.ph:etd_honors-12732022-02-17T05:29:32Z Voice and possession in Luisa Igloria's Trill and Mordent Akasaka, Nico E. This is a study on selected poems from Luisa Igloria's Trill and Mordent, using Susan Stewart's theoretical framework on voice and possession from Poetry and the Fate of the Senses. The identification of voice and possession in the poems are done through the analysis of various elements of poetry: tone, silence, imagery, metaphor, and sound. The various aspects of sounds that are the used in this study are the use of sound through vowels and consonants and the repetition of sound. This study explains and identifies the uniqueness of voice and possession in poetry. 2006-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_honors/274 Honors Theses English Animo Repository Poetry--Study and teaching Lyric poetry--History and criticism Women--Philippines--Literary collections
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Poetry--Study and teaching
Lyric poetry--History and criticism
Women--Philippines--Literary collections
spellingShingle Poetry--Study and teaching
Lyric poetry--History and criticism
Women--Philippines--Literary collections
Akasaka, Nico E.
Voice and possession in Luisa Igloria's Trill and Mordent
description This is a study on selected poems from Luisa Igloria's Trill and Mordent, using Susan Stewart's theoretical framework on voice and possession from Poetry and the Fate of the Senses. The identification of voice and possession in the poems are done through the analysis of various elements of poetry: tone, silence, imagery, metaphor, and sound. The various aspects of sounds that are the used in this study are the use of sound through vowels and consonants and the repetition of sound. This study explains and identifies the uniqueness of voice and possession in poetry.
format text
author Akasaka, Nico E.
author_facet Akasaka, Nico E.
author_sort Akasaka, Nico E.
title Voice and possession in Luisa Igloria's Trill and Mordent
title_short Voice and possession in Luisa Igloria's Trill and Mordent
title_full Voice and possession in Luisa Igloria's Trill and Mordent
title_fullStr Voice and possession in Luisa Igloria's Trill and Mordent
title_full_unstemmed Voice and possession in Luisa Igloria's Trill and Mordent
title_sort voice and possession in luisa igloria's trill and mordent
publisher Animo Repository
publishDate 2006
url https://animorepository.dlsu.edu.ph/etd_honors/274
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