Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows

Cave and Shadows revolves around a crime investigation: Jack Henson discovers the body of Nenita Coogan in a cave that has mysteriously surfaced amid the city of Manila. Not only does his investigation reveal the reappearance of other corpses; with Nenita coming only after a series of “female priest...

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Main Author: Martin, Jocelyn S
Format: text
Published: Archīum Ateneo 2021
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Online Access:https://archium.ateneo.edu/english-faculty-pubs/132
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315146669-9/tyrants-typhoons-trauma-jocelyn-martin
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Institution: Ateneo De Manila University
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spelling ph-ateneo-arc.english-faculty-pubs-11422021-11-04T07:18:30Z Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows Martin, Jocelyn S Cave and Shadows revolves around a crime investigation: Jack Henson discovers the body of Nenita Coogan in a cave that has mysteriously surfaced amid the city of Manila. Not only does his investigation reveal the reappearance of other corpses; with Nenita coming only after a series of “female priestesses” over the course of many centuries; but also the return of an ancient form of nature epitomized by the cave. Although other scholars; such as Josen Masangkay Diaz (2015); approach Cave and Shadows in terms of identity politics; I am interested in what I suggest are the spectral figures that question historical justice and that embody both remembering and forgetting. Specifically; I examine not only the specters of colonization but also the unsettled past of the infamous Marcos dictatorship in the Philippines. As such; this chapter first provides a theoretical discussion of spectrality and its correlation with trauma and belatedness. It also studies the difference between mourning and mid-mourning; the latter understood as a way of ethically re-assessing historical losses. Second; it proposes two readings of the revenant; Nenita Coogan. In the third part; which analyses manifestations of ecological spectrality; I interrogate new ways of thinking about trauma in “disaster cultures.” Consequently; in the fourth part; I investigate the compatibility of MagicRealism and postcolonial trauma in decolonized societies. Finally; the chapter considers the spectrality of the Marcos Regime and the inclusion of dictatorial era as legitimate areas of investigation in Trauma Studies. 2021-01-29T08:00:00Z text https://archium.ateneo.edu/english-faculty-pubs/132 https://www.taylorfrancis.com/chapters/edit/10.4324/9781315146669-9/tyrants-typhoons-trauma-jocelyn-martin English Faculty Publications Archīum Ateneo memory trauma Joaquin ecology spectrality Creative Writing History Psychology
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic memory
trauma
Joaquin
ecology
spectrality
Creative Writing
History
Psychology
spellingShingle memory
trauma
Joaquin
ecology
spectrality
Creative Writing
History
Psychology
Martin, Jocelyn S
Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
description Cave and Shadows revolves around a crime investigation: Jack Henson discovers the body of Nenita Coogan in a cave that has mysteriously surfaced amid the city of Manila. Not only does his investigation reveal the reappearance of other corpses; with Nenita coming only after a series of “female priestesses” over the course of many centuries; but also the return of an ancient form of nature epitomized by the cave. Although other scholars; such as Josen Masangkay Diaz (2015); approach Cave and Shadows in terms of identity politics; I am interested in what I suggest are the spectral figures that question historical justice and that embody both remembering and forgetting. Specifically; I examine not only the specters of colonization but also the unsettled past of the infamous Marcos dictatorship in the Philippines. As such; this chapter first provides a theoretical discussion of spectrality and its correlation with trauma and belatedness. It also studies the difference between mourning and mid-mourning; the latter understood as a way of ethically re-assessing historical losses. Second; it proposes two readings of the revenant; Nenita Coogan. In the third part; which analyses manifestations of ecological spectrality; I interrogate new ways of thinking about trauma in “disaster cultures.” Consequently; in the fourth part; I investigate the compatibility of MagicRealism and postcolonial trauma in decolonized societies. Finally; the chapter considers the spectrality of the Marcos Regime and the inclusion of dictatorial era as legitimate areas of investigation in Trauma Studies.
format text
author Martin, Jocelyn S
author_facet Martin, Jocelyn S
author_sort Martin, Jocelyn S
title Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
title_short Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
title_full Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
title_fullStr Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
title_full_unstemmed Tyrants, Typhoons, and Trauma: Spectrality and Magic Realism in Nick Joaquin’s Cave and Shadows
title_sort tyrants, typhoons, and trauma: spectrality and magic realism in nick joaquin’s cave and shadows
publisher Archīum Ateneo
publishDate 2021
url https://archium.ateneo.edu/english-faculty-pubs/132
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315146669-9/tyrants-typhoons-trauma-jocelyn-martin
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