Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino

Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino

The point of departure for these reflections is the status of “Hispanism” as an aesthetic mode (and possibly an elitist position or ideology in Philippine society) in a largely ignored debate within Philippine nationalist circles after World War II. In this instance, Dr. Blanco is thinking of the...

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Bibliographic Details
Main Author: Blanco, John D.
Format: text
Published: Archīum Ateneo 2024
Subjects:
baroque
colonial modernity
Hispanism
Nick Joaquin
Teodoro Agoncillio
Online Access:https://archium.ateneo.edu/kk/vol1/iss4/2
https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf
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Institution: Ateneo De Manila University

Internet

https://archium.ateneo.edu/kk/vol1/iss4/2
https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf

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