Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
The point of departure for these reflections is the status of “Hispanism” as an aesthetic mode (and possibly an elitist position or ideology in Philippine society) in a largely ignored debate within Philippine nationalist circles after World War II. In this instance, Dr. Blanco is thinking of the...
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Format: | text |
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Archīum Ateneo
2024
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Online Access: | https://archium.ateneo.edu/kk/vol1/iss4/2 https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf |
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Institution: | Ateneo De Manila University |
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