Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino

The point of departure for these reflections is the status of “Hispanism” as an aesthetic mode (and possibly an elitist position or ideology in Philippine society) in a largely ignored debate within Philippine nationalist circles after World War II. In this instance, Dr. Blanco is thinking of the...

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Main Author: Blanco, John D.
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss4/2
https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf
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Institution: Ateneo De Manila University
id ph-ateneo-arc.kk-1061
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spelling ph-ateneo-arc.kk-10612024-12-14T08:42:03Z Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino Blanco, John D. The point of departure for these reflections is the status of “Hispanism” as an aesthetic mode (and possibly an elitist position or ideology in Philippine society) in a largely ignored debate within Philippine nationalist circles after World War II. In this instance, Dr. Blanco is thinking of the polemic between nationalist historian and poet Teodoro Agoncillo and Filipino national artist Nick Joaquin following the inauguration of a Philippine national republic formally recognized by the League of Nations. In this paper, he wants to focus on one, perhaps the key, manifestation of this "Hispanism" – Joaquin’s recovery of the baroque mode of representation, as a way of returning to the baroque aesthetic of catastrophe in various colonial works (particularly the Pasyon and the Balagtasan awit). By examining the scenography of Joaquin’s A Portrait of the Artist as Filipino, he will turn to various aspects of Western baroque representation highlighted by Max Weber, Walter Benjamin, and Jose Antonio Maravall in order to highlight the relationship between colonial sovereignty and the onset of colonial modernity as the "disenchantment of the world." 2024-12-14T10:08:35Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss4/2 info:doi/10.13185/1656-152x.1061 https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf Kritika Kultura Archīum Ateneo baroque colonial modernity Hispanism Nick Joaquin Teodoro Agoncillio
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic baroque
colonial modernity
Hispanism
Nick Joaquin
Teodoro Agoncillio
spellingShingle baroque
colonial modernity
Hispanism
Nick Joaquin
Teodoro Agoncillio
Blanco, John D.
Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
description The point of departure for these reflections is the status of “Hispanism” as an aesthetic mode (and possibly an elitist position or ideology in Philippine society) in a largely ignored debate within Philippine nationalist circles after World War II. In this instance, Dr. Blanco is thinking of the polemic between nationalist historian and poet Teodoro Agoncillo and Filipino national artist Nick Joaquin following the inauguration of a Philippine national republic formally recognized by the League of Nations. In this paper, he wants to focus on one, perhaps the key, manifestation of this "Hispanism" – Joaquin’s recovery of the baroque mode of representation, as a way of returning to the baroque aesthetic of catastrophe in various colonial works (particularly the Pasyon and the Balagtasan awit). By examining the scenography of Joaquin’s A Portrait of the Artist as Filipino, he will turn to various aspects of Western baroque representation highlighted by Max Weber, Walter Benjamin, and Jose Antonio Maravall in order to highlight the relationship between colonial sovereignty and the onset of colonial modernity as the "disenchantment of the world."
format text
author Blanco, John D.
author_facet Blanco, John D.
author_sort Blanco, John D.
title Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
title_short Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
title_full Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
title_fullStr Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
title_full_unstemmed Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino
title_sort baroque modernity and the colonial world: aesthetics and catastrophe in nick joaquin’s a portrait of the artist as filipino
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss4/2
https://archium.ateneo.edu/context/kk/article/1061/viewcontent/_5BKKv00n04_2004_5D_202.1_Article_Blanco.pdf
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