Death, Event, and a Deconstruction of Gihapon in ‘Flores ni Maria Santisima’
This paper proposes a deconstructive reading of Flores ni Maria Santisima, a Hiligaynon novena written by Padre Raymundo Lozano and printed in 1867. Set against the economic bustle of nineteenth-century Iloilo after it opened port to foreign trade,the novena demonstrates a homological relationship b...
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| Format: | text |
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Archīum Ateneo
2024
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| Online Access: | https://archium.ateneo.edu/kk/vol1/iss20/3 https://archium.ateneo.edu/context/kk/article/1356/viewcontent/_5BKKv00n20_2013_5D_202.2_Article_Belvis.pdf |
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| Institution: | Ateneo De Manila University |
| Summary: | This paper proposes a deconstructive reading of Flores ni Maria Santisima, a Hiligaynon novena written by Padre Raymundo Lozano and printed in 1867. Set against the economic bustle of nineteenth-century Iloilo after it opened port to foreign trade,the novena demonstrates a homological relationship between capitalism and the practice of spiritual accumulation in the Flores. Nevertheless,teasing out the liminality of this text undermines its self-assurance as a monologic triumph of signification.A recurrent word in the novena, gihapon (always) plays an important transactional role in the promise of a happy death. As an incalculable event which subverts anticipation, death is a call towards faith without the consolation of certainty. The alterity of death beckons us to respond with Derrida’s perhaps, a trace of gihaponrevealed in the three stories from pananglit(hagiographical narrative): the deathbed experience of St John of God, the Emmaus-like encounter of two priests, and the acquittal of a convicted robber. |
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