Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History

Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History

By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the O...

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Bibliographic Details
Main Author: Campos, Patrick
Format: text
Published: Archīum Ateneo 2024
Subjects:
Philippine cinema
Singapore cinema
transnational cinema
Asian horror
OFW film
Online Access:https://archium.ateneo.edu/kk/vol1/iss21/36
https://archium.ateneo.edu/context/kk/article/1532/viewcontent/_5BKKv00n21_2022_2013_202014_5D_206.4_MonographSeries_Campos.pdf
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Institution: Ateneo De Manila University

Internet

https://archium.ateneo.edu/kk/vol1/iss21/36
https://archium.ateneo.edu/context/kk/article/1532/viewcontent/_5BKKv00n21_2022_2013_202014_5D_206.4_MonographSeries_Campos.pdf

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