Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History
By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the O...
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| Format: | text |
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Archīum Ateneo
2024
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| Online Access: | https://archium.ateneo.edu/kk/vol1/iss21/36 https://archium.ateneo.edu/context/kk/article/1532/viewcontent/_5BKKv00n21_2022_2013_202014_5D_206.4_MonographSeries_Campos.pdf |
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| Institution: | Ateneo De Manila University |
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