Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics

In 2016, the Jollibee Food Corporation, a Philippine multinational company that owns the world’s largest Asia-based fast-food chain Jollibee, launched Kwentong Jollibee [Jollibee Stories], a highly successful digital marketing campaign. Kwentong Jollibee advertisements have a reputation for being ab...

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Main Author: De Chavez, Jeremy
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss38/5
https://archium.ateneo.edu/context/kk/article/1908/viewcontent/KK_2038_2C_202022_205_20Regular_20section_20__20De_20Chavez.pdf
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Institution: Ateneo De Manila University
id ph-ateneo-arc.kk-1908
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spelling ph-ateneo-arc.kk-19082024-12-19T04:00:04Z Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics De Chavez, Jeremy In 2016, the Jollibee Food Corporation, a Philippine multinational company that owns the world’s largest Asia-based fast-food chain Jollibee, launched Kwentong Jollibee [Jollibee Stories], a highly successful digital marketing campaign. Kwentong Jollibee advertisements have a reputation for being able to express the shared sentiments of a diverse collective. Typically simple and highly sentimental narratives, those advertisements promote good intentions and feelings as reliable and facile antidotes to everyday problems, cultivating a commodity culture that encourages an irrational trust in the powers of positive affects. In this paper, I examine the role of positive feelings and affects in synchronizing private and public feelings and in conjoining practices of capitalist consumption with optimistic relations to the future. Drawing primarily from the work of Lauren Berlant and Sara Ahmed, I argue that those advertisements are able to construct an “intimate public,” a process aided by the circulation of “happy objects” that shape low-resolution fantasies of belonging and resilience. I offer readings of representative Kwentong Jollibee advertisements to elaborate on how capitalist structures opportunistically manipulate emotions and feelings to create, address, and expand their market, and even to insidiously commodify experience itself by forming affective communities that offer a respite from a world experienced as compromised, cold, and cruel. 2024-12-19T06:07:21Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss38/5 info:doi/10.13185/1656-152x.1908 https://archium.ateneo.edu/context/kk/article/1908/viewcontent/KK_2038_2C_202022_205_20Regular_20section_20__20De_20Chavez.pdf Kritika Kultura Archīum Ateneo advertising; affect theory; happy objects; intimate public; Jollibee Stories
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic advertising; affect theory; happy objects; intimate public; Jollibee Stories
spellingShingle advertising; affect theory; happy objects; intimate public; Jollibee Stories
De Chavez, Jeremy
Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
description In 2016, the Jollibee Food Corporation, a Philippine multinational company that owns the world’s largest Asia-based fast-food chain Jollibee, launched Kwentong Jollibee [Jollibee Stories], a highly successful digital marketing campaign. Kwentong Jollibee advertisements have a reputation for being able to express the shared sentiments of a diverse collective. Typically simple and highly sentimental narratives, those advertisements promote good intentions and feelings as reliable and facile antidotes to everyday problems, cultivating a commodity culture that encourages an irrational trust in the powers of positive affects. In this paper, I examine the role of positive feelings and affects in synchronizing private and public feelings and in conjoining practices of capitalist consumption with optimistic relations to the future. Drawing primarily from the work of Lauren Berlant and Sara Ahmed, I argue that those advertisements are able to construct an “intimate public,” a process aided by the circulation of “happy objects” that shape low-resolution fantasies of belonging and resilience. I offer readings of representative Kwentong Jollibee advertisements to elaborate on how capitalist structures opportunistically manipulate emotions and feelings to create, address, and expand their market, and even to insidiously commodify experience itself by forming affective communities that offer a respite from a world experienced as compromised, cold, and cruel.
format text
author De Chavez, Jeremy
author_facet De Chavez, Jeremy
author_sort De Chavez, Jeremy
title Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
title_short Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
title_full Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
title_fullStr Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
title_full_unstemmed Consumed By Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics
title_sort consumed by affects: kwentong jollibee [jollibee stories], happy objects, and the formation of intimate publics
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss38/5
https://archium.ateneo.edu/context/kk/article/1908/viewcontent/KK_2038_2C_202022_205_20Regular_20section_20__20De_20Chavez.pdf
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