Choreographing Immersion: Negotiating Borders, Difference, and Power

Choreographing Immersion: Negotiating Borders, Difference, and Power

“Immersive” performances have been growing exponentially over the past fifteen years, yet the definition of the form remains elusive. While a number of scholars such as Gareth White, Adam Alston, and Josephine Machon have collated what they perceive as the overarching characteristics of immersion, t...

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Bibliographic Details
Main Author: Stanton, Thea
Format: text
Published: Archīum Ateneo 2024
Subjects:
choreography
critical theory
immersion
Indigenous
intercorporeality
phenomenology
Online Access:https://archium.ateneo.edu/kk/vol1/iss40/15
https://archium.ateneo.edu/context/kk/article/2025/viewcontent/KK_2040_2C_202023_2015_20Forum_20Kritika_20on_20Dancing_20Democracy_20in_20a_20Fractured_20World_20__20Stanton.pdf
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Institution: Ateneo De Manila University

Internet

https://archium.ateneo.edu/kk/vol1/iss40/15
https://archium.ateneo.edu/context/kk/article/2025/viewcontent/KK_2040_2C_202023_2015_20Forum_20Kritika_20on_20Dancing_20Democracy_20in_20a_20Fractured_20World_20__20Stanton.pdf

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