Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop
South Korean mainstream pop music, known simply as K-Pop, has become such a huge phenomenon in recent years that it is playing a decisive role in reshaping Korean culture and identity. Indeed, the K-Pop phenomenon is much more than just something musical, intertwining a complexity of sound, performa...
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| Main Authors: | , |
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| Format: | text |
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Archīum Ateneo
2024
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| Subjects: | |
| Online Access: | https://archium.ateneo.edu/kk/vol1/iss29/11 https://archium.ateneo.edu/context/kk/article/2140/viewcontent/_5BKKv00n29_2017_5D_203.4_ForumKritika_Laforgia_Howard.pdf |
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| Institution: | Ateneo De Manila University |
| Summary: | South Korean mainstream pop music, known simply as K-Pop, has become such a huge phenomenon in recent years that it is playing a decisive role in reshaping Korean culture and identity. Indeed, the K-Pop phenomenon is much more than just something musical, intertwining a complexity of sound, performance, ethnicity and gender. A contextual analysis needs therefore to take all these elements into consideration. This paper aims to show how K-Pop plays a crucial role in promoting ideologies, and defining gender roles. It does so by analyzing the music and image of the Taiwanese-American originating singer Amber Liu. Liu goes against the standard gender identification and behavior that Korean society imposes on women, and by doing so she can be said to represent a shift in the portrayal and performance of femininity through K-pop. But, how is her gender behavior tolerated, and to what extent is this a stage behavior required and promoted by her management company as a way to mark out difference? |
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