Light as Method and Metaphor
Excerpt: Illuminating Rod. Paras-Perez: Beyond Art and Its History June 18–August 13, 2014 Ateneo Art Gallery Quezon City Isolating and framing works of an artist (especially of someone who has passed away) by chronology runs the risk of nostalgia, of the charge of easy categorization. What we, the...
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Archīum Ateneo
2014
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Online Access: | https://archium.ateneo.edu/paha/vol4/iss2/24 https://archium.ateneo.edu/context/paha/article/1140/viewcontent/PAHA_204.2_2024_20Feature_20__20Daoana.pdf |
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ph-ateneo-arc.paha-11402024-11-24T10:18:02Z Light as Method and Metaphor Daoana, Carlomar Arcangel Excerpt: Illuminating Rod. Paras-Perez: Beyond Art and Its History June 18–August 13, 2014 Ateneo Art Gallery Quezon City Isolating and framing works of an artist (especially of someone who has passed away) by chronology runs the risk of nostalgia, of the charge of easy categorization. What we, the viewers, seek is a narrative—continuities and vitalizing connections—not an itinerary. In the case of Illuminating Rod. Paras-Perez, however, a show where the spotlight is trained on Rod. Paras-Perez’s prints, paintings, sculpture, and mixed media works from the 1960s and 1970s, a curatorial decision to follow chronology derives from the fact that the artist’s crucial awakenings occurred in those decades, when he was to launch and secure his reputation as one of the country’s premier artists. 2014-09-30T07:00:00Z text application/pdf https://archium.ateneo.edu/paha/vol4/iss2/24 https://archium.ateneo.edu/context/paha/article/1140/viewcontent/PAHA_204.2_2024_20Feature_20__20Daoana.pdf Perspectives in the Arts and Humanities Asia Archīum Ateneo |
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Excerpt: Illuminating Rod. Paras-Perez: Beyond Art and Its History June 18–August 13, 2014 Ateneo Art Gallery Quezon City Isolating and framing works of an artist (especially of someone who has passed away) by chronology runs the risk of nostalgia, of the charge of easy categorization. What we, the viewers, seek is a narrative—continuities and vitalizing connections—not an itinerary. In the case of Illuminating Rod. Paras-Perez, however, a show where the spotlight is trained on Rod. Paras-Perez’s prints, paintings, sculpture, and mixed media works from the 1960s and 1970s, a curatorial decision to follow chronology derives from the fact that the artist’s crucial awakenings occurred in those decades, when he was to launch and secure his reputation as one of the country’s premier artists. |
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Daoana, Carlomar Arcangel |
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Daoana, Carlomar Arcangel Light as Method and Metaphor |
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Daoana, Carlomar Arcangel |
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Daoana, Carlomar Arcangel |
title |
Light as Method and Metaphor |
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Light as Method and Metaphor |
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Light as Method and Metaphor |
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Light as Method and Metaphor |
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Light as Method and Metaphor |
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light as method and metaphor |
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Archīum Ateneo |
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2014 |
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https://archium.ateneo.edu/paha/vol4/iss2/24 https://archium.ateneo.edu/context/paha/article/1140/viewcontent/PAHA_204.2_2024_20Feature_20__20Daoana.pdf |
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