论中唐诗歌中的 “胡妆” = A study of “Hu makeup” in Middle Tang poetry
本文以中唐诗作为切入点，分析唐朝胡风盛行之时，“胡妆”在唐朝女性中的引领地 位，并对唐朝女性妆容的影响和改变。安史之乱后，“胡妆”逐渐消逝。通过诗人对 “胡妆”及胡文化(包括胡姬、胡乐和胡舞)在安史之乱前后的态度转变，发现唐人 不仅仅是对女性“胡妆”的排斥，而是对整个胡文化的重新审视，造成“胡妆”昙花 一现的文化现象。 This thesis focuses on how the “Hu makeup” was able to prevail in the midst of Hu cultural infiltration during the Tang dynasty from the p...
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| Format: | Final Year Project |
| Language: | Chinese |
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Nanyang Technological University
2020
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| Online Access: | https://hdl.handle.net/10356/137347 |
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| Institution: | Nanyang Technological University |
| Language: | Chinese |