「中国宠物电影」中的生态体现和市场价值 = Chinese pet movies' ecocritical reflections and market value

• Main Author: 林家慧 Lim, Crystal Jia Hui
• Other Authors: Chu Kiu-wai
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2021
• Subjects: Humanities::Language::Chinese
• Online Access: https://hdl.handle.net/10356/152856
• Institution: Nanyang Technological University

生态电影以生态整体主义为基础，探究生态危机的社会根源，其中包括了人、动物和自然的关系。中国生态电影则是发展出了基于中国环境与风格的生态电影，以人和自然、人和社会和人自身处于生态平衡的状态下，体现出一种具有中国特色的生态主义美学电影。随着在中国的动物保护意识开始增强，动物时常作为电影中的“人物”出现在银幕上，以此来思考人与动物间的生态关系。“宠物电影”以宠物为主的电影，呈现出人与宠物之间的不同关系。本文将通过《宠爱》、《狗眼看人心》及《狗十三》等电影的叙事内容，审视人与自然的关系，强调生态完整与平等主义，及其对中国宠物的文化有何影响。 关键词：生态电影；中国生态电影；宠物电影；宠物文化 Based on ecological holism, Ecocinema explores the social roots of ecological crisis, including the relationship between human, animals, and nature. Based on Chinese environment and style, Chinese Ecocinema reflects an ecological film aesthetic with Chinese characteristics, highlighting the aesthetic state of ecological balance between man and nature, man, and society, and with man himself. With the enhancement of animal protection awareness, animals often appear as "characters" in movies to represent the intimate but complex relationships between humans and animals. “Pet movie” is a new film genre that comes out of the booming pet culture in China, showing the different relationships between people and pets. This paper will examine the relationships between man and natural life, emphasizing ecological integrity and egalitarianism, and its impact on Chinese pet culture through the narrative contents of films such as Adoring, Push and Shove and Einstein and Einstein. Key words: Ecocinema Chinese Ecocinema Pet Films Pet Culture