梨园戏与现代空间理论的关系 = The interrelationship between Liyuanxi and the modern space

• Main Author: 钟丽清 Chong, Lee Ching
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2009
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/15402
• Institution: Nanyang Technological University

本篇论文主要探讨梨园戏与现代空间理论的关系。全文分四章。首章整理前人对梨园戏的研究与发展的成果，内容包括梨园戏发展的历史、表演艺术与戏曲的“现代”化之路；其次，在前人研究基础上，探讨梨园戏发展过程中，具体表演空间与舞台的变化对梨园戏表演艺术的形成与影响；其三，探讨抽象的戏曲表演空间里，以演员、观众、脚色及观演双方各别划分出的动作空间、知觉空间、审美空间和交往空间的空间操作机制，分析梨园戏的舞台演出与观演双方如何交流；最后，从历史的角度，了解梨园戏的传承与发展问题，试图通过具体与抽象的表演空间的分析，为梨园戏乃至传统戏曲寻找可行出路之一。籍以通过提出问题，引起大众对传统艺术的关注，使更多的群众关心人文艺术的发展。This thesis is a study of the interrelationship between Liyuanxi, one of the oldest southern operas, and “modern space”. The thesis consists of 4 chapters. First chapter surveys historical development of Liyuanxi and reviews previous scholarly works on the Liyuanxi performance. Based on the previous academic achievement, chapter two detailed artistic movement of Liyuanxi in relation to stage effect and space utilization. Chapter three discusses Liyuanxi stage performance and how the opera actor and audience communicate with each other under the mechanism of action space, perceptual space, aesthetic space and intercourse space that which are separately composed by actors, audiences, characters and “participators”. The last chapter discusses the current development of Liyuanxi and suggests ways to promote traditional opera and to increase public awareness of the beauty of the traditional drama.