日本动画电影中天人相合的自然书写 —— 从文图学的视角对比分析宫崎骏 《幽灵公主》 与新海诚 《铃芽之旅》 = The depiction of nature in Japanese animated films: a comparative study of Hayao Miyazaki's "Princess Mononoke" and Makoto Shinkai's "Suzume" through the perspective of text and image studies

• Main Author: 梁子愉 Leong, Zi Yu
• Other Authors: I Lo-fen
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2024
• Subjects: Arts and Humanities; 文图学; 动画电影; 自然书写; 日本文化; Text and Image Studies; Animated Films; Depiction of Nature; Japanese Culture
• Online Access: https://hdl.handle.net/10356/174114
• Institution: Nanyang Technological University

本论文旨在从文图学视角深入研究两部日本动画电影中天人相合的自然书写，分析其中神魔动物以及大自然与人的关系，并探讨这些元素如何在电影中绽放异彩。本文首先着重分析影片中动物在文化层面上的意涵，深入剖析其对“神”与“魔”的描绘，具体探讨电影中动物偏向正面或负面形象的缘由。从民间故事到神道教信仰，进一步讨论善恶共存的主题。对于大自然与人的关系，通过分析两位导演对自然的独特观点和表现方式，披露消逝与遗忘的空间，体现人们持久以来对大自然敬畏之心。最后，聚焦于动画的制作过程，包括画风与技术、色彩运用、声音与语言、宣传设计以及互文性。从而了解两部动画电影在表现主题和传达信息方面的独特之处。 This thesis aims to delve into the depiction of nature in animated films through the perspective of Text and Image Studies. It includes topics on mythical creatures and the harmonious relationship between humans and nature, exploring how these elements manifest in the films. The paper delves into the cultural implications of animal characters in films, examining their portrayal as "gods" or "monsters" and the reasons behind their positive or negative connotations. It also explores the theme of coexistence of good and evil, drawing from folk tales and Shinto beliefs. Additionally, it discusses humanity's enduring awe towards nature, analysing the directors' unique perspectives and expressions on the subject. By exploring vanishing and forgotten spaces, the paper prompts viewers to reflect on their relationship with nature. Finally, it focuses on the animation production process, including art style, colour usage, sound, language, promotional design, and intertextuality, highlighting the unique role of animated films in conveying themes and messages.