文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies
本文将以爱情、喜剧、奇幻题材的影视作品《月老》为研究对象,探讨月老形象及爱 情观念在不同时代文本中的关系。爱情不论是哪个生命阶段中,在每个人的生命中都 扮演了一个非常重要的角色。爱可以以不同的形式出现在大家的生命里。从出生到步 入社会,每个人对爱的需求和理解方式都不尽相同。文图学的核心观点是“万物皆文 本”,因此每一个文本都有多种解读方式。生命中的所见所闻不断塑造着每个人看待世 界的角度,而这些对世界的认知恰恰是影响人们如何解读和观看影视作品的重要因素 之一。 本文将通过文图学的视角了解月老的古典文本《订婚店》以及影视作品来探讨《月老》 电影中的月老形象转变,接着再深入理解月老在不同文本中所...
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sg-ntu-dr.10356-1805652024-10-19T17:00:29Z 文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies 黄歆颖 Ng, Xin Ying I Lo-fen School of Humanities ILofen@ntu.edu.sg Arts and Humanities Humanities Language Chinese 本文将以爱情、喜剧、奇幻题材的影视作品《月老》为研究对象,探讨月老形象及爱 情观念在不同时代文本中的关系。爱情不论是哪个生命阶段中,在每个人的生命中都 扮演了一个非常重要的角色。爱可以以不同的形式出现在大家的生命里。从出生到步 入社会,每个人对爱的需求和理解方式都不尽相同。文图学的核心观点是“万物皆文 本”,因此每一个文本都有多种解读方式。生命中的所见所闻不断塑造着每个人看待世 界的角度,而这些对世界的认知恰恰是影响人们如何解读和观看影视作品的重要因素 之一。 本文将通过文图学的视角了解月老的古典文本《订婚店》以及影视作品来探讨《月老》 电影中的月老形象转变,接着再深入理解月老在不同文本中所扮演的角色与身份,探 讨爱情究竟是由天注定还是由自己做主体。最后,《月老》电影体现了个人意志与传 统信仰的结合。 This paper will focus on the romantic comedy and fantasy film “Till We Meet Again”, exploring the relationship between the portrayal of Yue Lao and the concept of love across different eras and texts. Love plays an extremely important role in every person's life, regardless of the stage of life they are in. It can appear in various forms throughout one’s life. From birth to entering society, everyone’s need for and understanding of love varies. The experiences we encounter throughout life constantly shape how we view the world, and this perception directly influences how people interpret and engage with films and other media contents. The main concept of Text and Images Studies perceives that every text can be interpreted in multiple ways, and the same applies when watching films. This paper will examine the transformation of the Yue Lao’s image in “Till We Meet Again” by exploring the classical text “Ding Hun Dian” and comparing it to modern cinematic depictions. Furthermore, it will investigate the role and identity of the Yue Lao in different texts, questioning whether love is predestined or if individuals have control over it. Ultimately, through analyzing “Till We Meet Again”, it reflects that love has changed over times and now individual plays the role of “Yue Lao” themselves. Bachelor's degree 2024-10-14T02:38:32Z 2024-10-14T02:38:32Z 2024 Final Year Project (FYP) 黄歆颖 Ng, X. Y. (2024). 文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/180565 https://hdl.handle.net/10356/180565 zh application/pdf Nanyang Technological University |
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Arts and Humanities Humanities Language Chinese 黄歆颖 Ng, Xin Ying 文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
description |
本文将以爱情、喜剧、奇幻题材的影视作品《月老》为研究对象,探讨月老形象及爱 情观念在不同时代文本中的关系。爱情不论是哪个生命阶段中,在每个人的生命中都 扮演了一个非常重要的角色。爱可以以不同的形式出现在大家的生命里。从出生到步 入社会,每个人对爱的需求和理解方式都不尽相同。文图学的核心观点是“万物皆文 本”,因此每一个文本都有多种解读方式。生命中的所见所闻不断塑造着每个人看待世 界的角度,而这些对世界的认知恰恰是影响人们如何解读和观看影视作品的重要因素 之一。
本文将通过文图学的视角了解月老的古典文本《订婚店》以及影视作品来探讨《月老》 电影中的月老形象转变,接着再深入理解月老在不同文本中所扮演的角色与身份,探 讨爱情究竟是由天注定还是由自己做主体。最后,《月老》电影体现了个人意志与传 统信仰的结合。
This paper will focus on the romantic comedy and fantasy film “Till We Meet Again”, exploring the relationship between the portrayal of Yue Lao and the concept of love across different eras and texts. Love plays an extremely important role in every person's life, regardless of the stage of life they are in. It can appear in various forms throughout one’s life. From birth to entering society, everyone’s need for and understanding of love varies. The experiences we encounter throughout life constantly shape how we view the world, and this perception directly influences how people interpret and engage with films and other media contents.
The main concept of Text and Images Studies perceives that every text can be interpreted in multiple ways, and the same applies when watching films. This paper will examine the transformation of the Yue Lao’s image in “Till We Meet Again” by exploring the classical text “Ding Hun Dian” and comparing it to modern cinematic depictions. Furthermore, it will investigate the role and identity of the Yue Lao in different texts, questioning whether love is predestined or if individuals have control over it. Ultimately, through analyzing “Till We Meet Again”, it reflects that love has changed over times and now individual plays the role of “Yue Lao” themselves. |
author2 |
I Lo-fen |
author_facet |
I Lo-fen 黄歆颖 Ng, Xin Ying |
format |
Final Year Project |
author |
黄歆颖 Ng, Xin Ying |
author_sort |
黄歆颖 Ng, Xin Ying |
title |
文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
title_short |
文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
title_full |
文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
title_fullStr |
文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
title_full_unstemmed |
文图学视角下九把刀电影《月老》研究 = A study of Giddens Ko's Film “Till We Meet Again” from the perspective of text and images studies |
title_sort |
文图学视角下九把刀电影《月老》研究 = a study of giddens ko's film “till we meet again” from the perspective of text and images studies |
publisher |
Nanyang Technological University |
publishDate |
2024 |
url |
https://hdl.handle.net/10356/180565 |
_version_ |
1814777742312341504 |