新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970)
Singapore Amateur Players is the oldest Chinese local theatre group. It was established in 1955 and its members were mainly alumni of Chung Cheng High School Drama Research Society. It upholds the modern theatre tradition of presenting realist plays. Being the first amateur theatre group in the 50s,...
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2010
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sg-ntu-dr.10356-211522019-12-10T14:42:22Z 新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) 李慧仪 Lee, Lynn Hui Yi Quah Sy Ren School of Humanities and Social Sciences DRNTU::Humanities::Drama Singapore Amateur Players is the oldest Chinese local theatre group. It was established in 1955 and its members were mainly alumni of Chung Cheng High School Drama Research Society. It upholds the modern theatre tradition of presenting realist plays. Being the first amateur theatre group in the 50s, Singapore Amateur Players exhibited the spirit of the “Amateur Movement” in China. It showed social awareness and made connection with the masses with performances that they could relate to. In practice, Singapore Amateur Players displayed its uniqueness and outshined other theatre groups. Singapore Amateur Player was very much part of the society, especially so during the instability in the 50s. Its well-being and growth was deeply affected by the upheaval of the society. Thus, its organisation, artistic direction and performances etc were heavily reliant on the various aspects of society. Bachelor of Arts 2010-03-18T08:45:47Z 2010-03-18T08:45:47Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/21152 zh Nanyang Technological University 54 p. application/pdf |
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DRNTU::Humanities::Drama 李慧仪 Lee, Lynn Hui Yi 新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
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Singapore Amateur Players is the oldest Chinese local theatre group. It was established in 1955 and its members were mainly alumni of Chung Cheng High School Drama Research Society. It upholds the modern theatre tradition of presenting realist plays. Being the first amateur theatre group in the 50s, Singapore Amateur Players exhibited the spirit of the “Amateur Movement” in China. It showed social awareness and made connection with the masses with performances that they could relate to. In practice, Singapore Amateur Players displayed its uniqueness and outshined other theatre groups. Singapore Amateur Player was very much part of the society, especially so during the instability in the 50s. Its well-being and growth was deeply affected by the upheaval of the society. Thus, its organisation, artistic direction and performances etc were heavily reliant on the various aspects of society. |
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Quah Sy Ren |
author_facet |
Quah Sy Ren 李慧仪 Lee, Lynn Hui Yi |
format |
Final Year Project |
author |
李慧仪 Lee, Lynn Hui Yi |
author_sort |
李慧仪 Lee, Lynn Hui Yi |
title |
新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
title_short |
新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
title_full |
新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
title_fullStr |
新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
title_full_unstemmed |
新加坡艺术剧场研究(1955-1970) = Singapore Amateur Players (1955-1970) |
title_sort |
新加坡艺术剧场研究(1955-1970) = singapore amateur players (1955-1970) |
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2010 |
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http://hdl.handle.net/10356/21152 |
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1681034492054077440 |