Emotikon : audio production of the interpretation of human emotion through soundscape and music

This entire project stemmed from our love for playing musical instruments, and also our dependency on music to accompany how we feel in various situations and points in our lives. We believe that the main motivation for a person to listen to music is his need for self expression. For example, when h...

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Main Authors: De Cotta, Timothy Alexander, Long, Lyndsey Liting
Other Authors: Bradley C Freeman
Format: Final Year Project
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/10356/45118
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Institution: Nanyang Technological University
Language: English
id sg-ntu-dr.10356-45118
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spelling sg-ntu-dr.10356-451182019-12-10T10:54:17Z Emotikon : audio production of the interpretation of human emotion through soundscape and music De Cotta, Timothy Alexander Long, Lyndsey Liting Bradley C Freeman Wee Kim Wee School of Communication and Information DRNTU::Visual arts and music::Music This entire project stemmed from our love for playing musical instruments, and also our dependency on music to accompany how we feel in various situations and points in our lives. We believe that the main motivation for a person to listen to music is his need for self expression. For example, when he is feeling happy, he would listen to uplifting or upbeat songs as opposed to gloomy songs with pessimistic lyrics. The strong connection between how we feel and the music that we listen to led us to the idea of exploring the spectrum of human emotions through our own compositions. We wanted to appeal to the various feelings of the listener in five songs that spanned a range of musical genres, and more ambitiously, try to manipulate how the listener was feeling in a short period of time. Bachelor of Communication Studies 2011-06-09T03:36:53Z 2011-06-09T03:36:53Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/45118 en Nanyang Technological University 37 p. + 5 sound tracks. application/pdf audio/x-mpeg audio/x-mpeg audio/x-mpeg audio/x-mpeg audio/x-mpeg
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Visual arts and music::Music
spellingShingle DRNTU::Visual arts and music::Music
De Cotta, Timothy Alexander
Long, Lyndsey Liting
Emotikon : audio production of the interpretation of human emotion through soundscape and music
description This entire project stemmed from our love for playing musical instruments, and also our dependency on music to accompany how we feel in various situations and points in our lives. We believe that the main motivation for a person to listen to music is his need for self expression. For example, when he is feeling happy, he would listen to uplifting or upbeat songs as opposed to gloomy songs with pessimistic lyrics. The strong connection between how we feel and the music that we listen to led us to the idea of exploring the spectrum of human emotions through our own compositions. We wanted to appeal to the various feelings of the listener in five songs that spanned a range of musical genres, and more ambitiously, try to manipulate how the listener was feeling in a short period of time.
author2 Bradley C Freeman
author_facet Bradley C Freeman
De Cotta, Timothy Alexander
Long, Lyndsey Liting
format Final Year Project
author De Cotta, Timothy Alexander
Long, Lyndsey Liting
author_sort De Cotta, Timothy Alexander
title Emotikon : audio production of the interpretation of human emotion through soundscape and music
title_short Emotikon : audio production of the interpretation of human emotion through soundscape and music
title_full Emotikon : audio production of the interpretation of human emotion through soundscape and music
title_fullStr Emotikon : audio production of the interpretation of human emotion through soundscape and music
title_full_unstemmed Emotikon : audio production of the interpretation of human emotion through soundscape and music
title_sort emotikon : audio production of the interpretation of human emotion through soundscape and music
publishDate 2011
url http://hdl.handle.net/10356/45118
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