Audience reception in marketing and publicity in Hollywood's contemporary cinema for tent-pole films from 2008-2012
Hollywood began investing heavily on films known as blockbusters or tent-pole films with big budgets, (no and) intensive marketing and publicity plans since the coming of Jaws in 1975, a film directed by Steven Spielberg. Since then, Hollywood never looked back to reap in the sows of profit...
Saved in:
Main Author: | Afandi, Haidar |
---|---|
Other Authors: | Wong Liang Chun Jaymz |
Format: | Final Year Project |
Language: | English |
Published: |
2012
|
Subjects: | |
Online Access: | http://hdl.handle.net/10356/48760 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Nanyang Technological University |
Language: | English |
Similar Items
-
A beautiful tragedy : witnessing the pregnant body in contemporary Hollywood films.
by: Ong, Isabel Tze Wei.
Published: (2009) -
The return of the Diaspora : recognizing the non-resident Indian (NRI) in contemporary Bollywood cinema.
by: Low, Shaun Chong Ying.
Published: (2010) -
Global box office consumption of Hollywood films : explaining inter-country similarities in movie selection
by: Achikannoo Govindaraju
Published: (2009) -
Film authorship in Singapore cinema.
by: Ong, Yi Zhen.
Published: (2010) -
Smelling out another cinema.
by: Sim, Jiaying.
Published: (2011)