The embrace of nothing : shifting representations of the absurd from Samuel Beckett to Sofia Coppola.

• المؤلف الرئيسي: Nurul Izzati Liyana Abdul Haris
• مؤلفون آخرون: School of Humanities and Social Sciences
• التنسيق: Final Year Project
• اللغة: Chinese
• منشور في: 2013
• الموضوعات: DRNTU::Humanities
• الوصول للمادة أونلاين: http://hdl.handle.net/10356/52162

The essay looks at the shifting presentation of the Absurd through the works of playwright Samuel Beckett and film director Sofia Coppola, specifically looking at Beckett’s Waiting For Godot, Endgame and Krapp’s Last Tape, and Coppola’s Marie Antoinette, Lost In Translation and Somewhere. Absurdist...