“海上风情” ：论周立波“海派清口”的上海文化意涵 = An analysis of Shanghai culture in Zhou Libo’s “Shanghai style small talk”

• Main Author: 沙怡靖 Sha, Yijing
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2014
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/55661
• Institution: Nanyang Technological University

近年来，周立波这个名字以及他本人于 2009 年创立的“海派清口”虏获了上海观众的心，其火爆程度可见一斑。按照周立波自己的解释，已经不是传统概念上的滑稽，而是滑稽这个概念的扩展和延伸。 “海派清口”，是从上海本地的单口滑稽、北京单口相声、香港“栋笃笑”等曲艺表演样式中汲取精华发展而成的。其中火爆原因是非常值得探讨的，所以本论文尝试对“海派清口”做一个梳理以及回顾并通过从周立波的现场表演为基准，分析其表演形式、其上海文化意涵，以及社会功能，并且以此来展望“海派清口”前景。In the recent years, Zhou Libo hasgain tremendous popularity with his “Shanghai Style Small Talk” in Shanghai. According to himself, “Shanghai Style Small Talk” does not belong to the usual concept of Shanghaiese Stand-up Comedy but a extensive and upgraded version of that. “Shanghai Style Small Talk” has developed from Shanghaiese Stand-up Comedy, Beijing Crosstalk, Hong Kong Stand-up Comedy and took the essence of all these three kinds of art performances. This thesis will focus on a analysis of “Shanghaiese Small Talk”, as well as discussion on the art of his performance, the highly concentrated Shanghai Culture within the performance and its social function to find out the future of “Shanghaiese Small Talk”.