(Re)appropriating the oriental stereotype in Sopyonje and farewell my concubine

In this paper, I am concerned with the self-representation of the female body in the mould of the Oriental stereotype in the films: Sopyonje (Im Kwon-taek 1993) and Farewell My Concubine (Chen Kaige 1993). Widely recognized as quintessential productions of their respective national cinemas, ie., Sou...

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Bibliographic Details
Main Author: Han, Natalie Su-Yin
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project
Language:English
Published: 2014
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Online Access:http://hdl.handle.net/10356/61623
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Institution: Nanyang Technological University
Language: English

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