Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore
This paper looks at how dominant gender ideologies are (re)produced in the new media in Singapore, particularly in YouTube using Hall’s theory on encoding. A total of 388 videos were analyzed and 6 YouTube content producers were interviewed. Even though YouTube is made out to be an alternative to tr...
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sg-ntu-dr.10356-623412019-12-10T12:27:06Z Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore Ramachandran Palanisamy Sam Han School of Humanities and Social Sciences DRNTU::Social sciences::Sociology::Family, marriage and women DRNTU::Social sciences::Sociology::Social control This paper looks at how dominant gender ideologies are (re)produced in the new media in Singapore, particularly in YouTube using Hall’s theory on encoding. A total of 388 videos were analyzed and 6 YouTube content producers were interviewed. Even though YouTube is made out to be an alternative to traditional media such as television, the alternative is only in form and style rather than in ideology. Videos analyzed contained elements of dominant gender ideology, namely patriarchy, gender roles, compulsory heterosexuality and objectification of women. Interviews of content producers on YouTube also revealed that (re)production of dominant gender ideologies was a result of factors external to content producers such as viewers, advertisers, sponsors, sources of ideas, government policies and nature of ownership of YouTube channel. Bachelor of Arts 2015-03-19T09:14:40Z 2015-03-19T09:14:40Z 2015 2015 Final Year Project (FYP) http://hdl.handle.net/10356/62341 en Nanyang Technological University 30 p. application/pdf |
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DRNTU::Social sciences::Sociology::Family, marriage and women DRNTU::Social sciences::Sociology::Social control Ramachandran Palanisamy Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
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This paper looks at how dominant gender ideologies are (re)produced in the new media in Singapore, particularly in YouTube using Hall’s theory on encoding. A total of 388 videos were analyzed and 6 YouTube content producers were interviewed. Even though YouTube is made out to be an alternative to traditional media such as television, the alternative is only in form and style rather than in ideology. Videos analyzed contained elements of dominant gender ideology, namely patriarchy, gender roles, compulsory heterosexuality and objectification of women. Interviews of content producers on YouTube also revealed that (re)production of dominant gender ideologies was a result of factors external to content producers such as viewers, advertisers, sponsors, sources of ideas, government policies and nature of ownership of YouTube channel. |
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Sam Han |
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Sam Han Ramachandran Palanisamy |
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Final Year Project |
author |
Ramachandran Palanisamy |
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Ramachandran Palanisamy |
title |
Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
title_short |
Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
title_full |
Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
title_fullStr |
Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
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Cultural hegemony : how ideologies on gender are propagated through the new media platform - YouTube Singapore |
title_sort |
cultural hegemony : how ideologies on gender are propagated through the new media platform - youtube singapore |
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2015 |
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http://hdl.handle.net/10356/62341 |
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1681049186831695872 |