Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress

Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress

While the gothic is a recognizable and highly conventional literary mode identified with tropes such as decrepit architecture, supernatural occurrences, and a claustrophobic atmosphere, these are merely superficial markers, with the deeper concern being cultural anxiety about the infiltration of the...

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Main Author: Chan, Yi Shao
Other Authors: Samara Anne Cahill
Format: Final Year Project
Language:English
Published: 2015
Subjects:
DRNTU::Humanities::Literature::English
Online Access:http://hdl.handle.net/10356/65681
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-656812019-12-10T11:34:24Z Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress Chan, Yi Shao Samara Anne Cahill School of Humanities and Social Sciences DRNTU::Humanities::Literature::English While the gothic is a recognizable and highly conventional literary mode identified with tropes such as decrepit architecture, supernatural occurrences, and a claustrophobic atmosphere, these are merely superficial markers, with the deeper concern being cultural anxiety about the infiltration of the “other”. This paper will look at this particular anxiety in the Castle of Otranto and Atonement before examining how this anxiety is expressed in the multimedia texts Bad ∞ End ∞ Night series and Ingress. Bachelor of Arts 2015-12-09T07:20:04Z 2015-12-09T07:20:04Z 2015 2015 Final Year Project (FYP) http://hdl.handle.net/10356/65681 en Nanyang Technological University 42 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities::Literature::English
spellingShingle DRNTU::Humanities::Literature::English
Chan, Yi Shao
Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
description While the gothic is a recognizable and highly conventional literary mode identified with tropes such as decrepit architecture, supernatural occurrences, and a claustrophobic atmosphere, these are merely superficial markers, with the deeper concern being cultural anxiety about the infiltration of the “other”. This paper will look at this particular anxiety in the Castle of Otranto and Atonement before examining how this anxiety is expressed in the multimedia texts Bad ∞ End ∞ Night series and Ingress.
author2 Samara Anne Cahill
author_facet Samara Anne Cahill
Chan, Yi Shao
format Final Year Project
author Chan, Yi Shao
author_sort Chan, Yi Shao
title Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
title_short Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
title_full Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
title_fullStr Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
title_full_unstemmed Gothic cycles, images and traumatic histories in the castle of Otranto, atonement, the bad ∞ end ∞ night series and ingress
title_sort gothic cycles, images and traumatic histories in the castle of otranto, atonement, the bad ∞ end ∞ night series and ingress
publishDate 2015
url http://hdl.handle.net/10356/65681
_version_ 1681038578004525056

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