Never left
The Final Year Project, “Never Left”, is a narrative short film that explores the notions of the Alzheimer’s disease and love. The story revolves around an Alzheimer’s patient, Ah Hock and his relationship with son, Mark. Mark has recently shifted home from abroad owing to marital complications with...
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2016
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sg-ntu-dr.10356-672342020-07-20T04:56:43Z Never left Lee, Cedric Whee Yang Ross Adrian Williams School of Art, Design and Media DRNTU::Visual arts and music The Final Year Project, “Never Left”, is a narrative short film that explores the notions of the Alzheimer’s disease and love. The story revolves around an Alzheimer’s patient, Ah Hock and his relationship with son, Mark. Mark has recently shifted home from abroad owing to marital complications with wife, May. Over time, we witness how the development of their relationship encourages Mark to learn deeper about love and its sacrifices through Ah Hock’s devotion to his late wife, Yoke. As Director of Photography for the above project, this report will study the film’s cinematographic developments, discussing in closer detail the conceptualisation, research, execution and reflections for the project. The paper will include documentation of practical experiences, progression of thought processes and general exploration of the narrative significance on the overarching visual interpretation. Bachelor of Fine Arts 2016-05-13T02:41:30Z 2016-05-13T02:41:30Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/67234 Videos-DRNTU/adm_fyp_17/Never Left.mp4 en Nanyang Technological University 21 p. application/pdf text/html |
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DRNTU::Visual arts and music |
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DRNTU::Visual arts and music Lee, Cedric Whee Yang Never left |
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The Final Year Project, “Never Left”, is a narrative short film that explores the notions of the Alzheimer’s disease and love. The story revolves around an Alzheimer’s patient, Ah Hock and his relationship with son, Mark. Mark has recently shifted home from abroad owing to marital complications with wife, May. Over time, we witness how the development of their relationship encourages Mark to learn deeper about love and its sacrifices through Ah Hock’s devotion to his late wife, Yoke.
As Director of Photography for the above project, this report will study the film’s cinematographic developments, discussing in closer detail the conceptualisation, research, execution and reflections for the project. The paper will include documentation of practical experiences, progression of thought processes and general exploration of the narrative significance on the overarching visual interpretation. |
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Ross Adrian Williams |
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Ross Adrian Williams Lee, Cedric Whee Yang |
format |
Final Year Project |
author |
Lee, Cedric Whee Yang |
author_sort |
Lee, Cedric Whee Yang |
title |
Never left |
title_short |
Never left |
title_full |
Never left |
title_fullStr |
Never left |
title_full_unstemmed |
Never left |
title_sort |
never left |
publishDate |
2016 |
url |
http://hdl.handle.net/10356/67234 |
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1681057491247431680 |