Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry
This essay aims to fill this scholarship vacuum in the analysis of Tamil songs and how they perpetuate and reinforce male chauvinistic attitudes towards women in real life by analysing certain features of selected love failure songs across the period of the 1950s to 2016. I will begin by illuminatin...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Final Year Project |
| Language: | English |
| Published: |
2017
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/10356/69854 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Nanyang Technological University |
| Language: | English |
| id |
sg-ntu-dr.10356-69854 |
|---|---|
| record_format |
dspace |
| spelling |
sg-ntu-dr.10356-698542019-12-10T14:21:25Z Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry Hafizah Beevi Abdul Hamid Wernmei Yong Ade School of Humanities and Social Sciences DRNTU::Humanities This essay aims to fill this scholarship vacuum in the analysis of Tamil songs and how they perpetuate and reinforce male chauvinistic attitudes towards women in real life by analysing certain features of selected love failure songs across the period of the 1950s to 2016. I will begin by illuminating the role of women in Indian society and exploring the tension between the reality and the expectations of Tamil women in Tamil culture. Additionally, this paper will argue that Tamil love failure songs, also known as soup songs, perpetuate violence towards women by normalising sexual assault and violence upon women. Bachelor of Arts 2017-03-30T06:23:27Z 2017-03-30T06:23:27Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/69854 en Nanyang Technological University 54 p. application/pdf |
| institution |
Nanyang Technological University |
| building |
NTU Library |
| country |
Singapore |
| collection |
DR-NTU |
| language |
English |
| topic |
DRNTU::Humanities |
| spellingShingle |
DRNTU::Humanities Hafizah Beevi Abdul Hamid Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| description |
This essay aims to fill this scholarship vacuum in the analysis of Tamil songs and how they perpetuate and reinforce male chauvinistic attitudes towards women in real life by analysing certain features of selected love failure songs across the period of the 1950s to 2016. I will begin by illuminating the role of women in Indian society and exploring the tension between the reality and the expectations of Tamil women in Tamil culture. Additionally, this paper will argue that Tamil love failure songs, also known as soup songs, perpetuate violence towards women by normalising sexual assault and violence upon women. |
| author2 |
Wernmei Yong Ade |
| author_facet |
Wernmei Yong Ade Hafizah Beevi Abdul Hamid |
| format |
Final Year Project |
| author |
Hafizah Beevi Abdul Hamid |
| author_sort |
Hafizah Beevi Abdul Hamid |
| title |
Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| title_short |
Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| title_full |
Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| title_fullStr |
Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| title_full_unstemmed |
Why this Kolaveri Di? Why this murderous rage girl? The misogynistic representation of women in Tamil film industry |
| title_sort |
why this kolaveri di? why this murderous rage girl? the misogynistic representation of women in tamil film industry |
| publishDate |
2017 |
| url |
http://hdl.handle.net/10356/69854 |
| _version_ |
1681043141170298880 |